Elisabeth Monica Port Angeles 2025.09.13

user: Elisabeth Monica

Coke the Floor

Airpants, Bradley Smith pass through

by: Lisa Greenleaf

introduces moves: swing, long lines, allemande, circle, balance the ring, pass through

formation: improper

A1 16
neighbors balance & swing
A2 8
long lines forward & back
8
ladles allemande right 1½
B1 16
partners balance & swing
B2 8
circle left 3 places
4
balance the ring
4
pass through to new neighbors

Bradley Smith Notes: Originally, the last figure of this dance was a neighbor do-si-do 1 1/2, but I usually swap it for the ring balance and pass through to make the progression as simple as possible for inexperienced dancers.

Beetle in the Bed Sheets by Connie Carringer https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=8132

Pure Ingredients

by: Yoyo Zhou

introduces moves: do si do, chain, cross trails

formation: improper

A1 8
circle left 4 places
8
neighbors do si do once
A2 16
neighbors balance & swing
B1 8
gentlespoons allemande left 1½
8
partners swing
B2 8
ladles chain to neighbors
8
cross trails - partners across the set right shoulders, neighbors along the set left shoulders ⁋

Apples and Caramel

by: Seth Tepfer

introduces moves: Rory O'More

formation: improper

Starts in short waves, right hand to neighbors

A1 8
balance & Rory O'More right
8
balance & Rory O'More left
A2 16
neighbors balance & swing
B1 8
ladles allemande right 1½
8
partners swing
B2 6
circle left 3 places
2
pass through ⁋
8
next neighbors do si do 1¼ to short waves

Based on Apples and Chocolate by Sue Rosen

Last Hey

by: Isaac Banner

introduces moves: balance, hey

formation: Becket

A1 8
circle left 3 places
4
balance the ring
4
pass through ⁋
A2 8
ladles allemande left 1½ (new ladles)
4
balance short waves
4
partners allemande right ¾
B1 16
ladles start a full hey - lefts in center, rights on ends
B2 16
partners balance & swing

Based on Paul Balliet's First Hey, shifted and with one phrase changed. Offers an opening that works much better with a barn-burner of a tune, with a runaway B section. Manages the energy throughout the sequence better than Paul's original dance, in my opinion. At the very least it offers a distinctly more driving and chunky feel compared to the original.

Waltz

Break

You Can't Get There From Here

by: Carol Ormand

introduces moves: form long waves, form an ocean wave

formation: improper

Begin in short wavy lines with ladles in the center and ones facing down the set.

A1 4
balance the wave
4
neighbors allemande right ¾ to
0
form long waves - ladles face in, gentlespoons face out the wave
4
balance
4
neighbors allemande right ¾
A2 0
form an ocean wave - gentlespoons by left hands and neighbors by right hands
4
balance the wave
12
neighbors swing
B1 8
circle left 3 places
8
partners swing
B2 8
circle left 3 places
8
neighbors do si do 1¾ ⁋
0
form an ocean wave - ladles by left hands and neighbors by right hands in short waves

Bowl of Cherries

by: Sue Rosen

introduces moves: promenade, roll away

formation: improper

A1 8
neighbors do si do once
8
neighbors swing
A2 8
neighbors promenade
8
ladles chain
B1 8
ladles allemande right once
8
partners swing
B2 8
circle left 3 places
4
gentlespoons roll away neighbors with a half sashay
4
cross trails - partners across the set right shoulders, neighbors along the set left shoulders ⁋

With neighbor along the set roll away with half sashay (ladles rolling from left to right)

Joel's in the Kitchen

by: Sue Rosen

introduces moves: petronella

formation: Becket

A1 8
long lines forward & back
8
ladles chain
A2 8
balance & petronella
8
balance & petronella
B1 4
balance the ring
4
cross trails - partners across the set right shoulders, neighbors along the set left shoulders ⁋
8
next neighbors swing
B2 8
circle left 3 places
8
partners swing

Waltz