user: Chet Gray
(B2 variation) Chet Gray calling
Brian Rinehart
Al's Heyday #2 by Al Olson, Nicholas Rockstroh calling
(variation), Jared McNeil calling
Allison Jones calling
[waltz]
[break]
Allison Jones calling
Nicholas Rockstroh calling
Naresh Keswani calling
aborted during walkthrough, Chet Gray calling
no walkthrough, Chet Gray calling
[waltz]
by: Scott Higgs
(B2 variation) Chet Gray calling
introduces moves: swing, long lines, chain, allemande, circle, do si do
formation: improper
A1 | 16 | neighbors balance & swing
|
A2 | 8 | long lines forward & back
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8 | ladles chain
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B1 | 6 | ladles allemande right once
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10 | partners swing
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B2 | 8 | circle left 3 places
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8 | neighbors do si do 1½ ⁋
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by: Rick Mohr
Brian Rinehart
introduces moves: balance, form an ocean wave, star
formation: improper
A1 | 4 | neighbors balance
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6 | neighbors do si do once
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6 | neighbors allemande right 1¼
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A2 | 0 | form an ocean wave - ladles by left hands and neighbors by right hands
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4 | balance left and right
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2 | ladles allemande left ½
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10 | partners swing
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B1 | 8 | long lines forward & back
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8 | ladles chain
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B2 | 8 | star left 4 places
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8 | star right 4 places ⁋
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http://rickmohr.net/contra/dances.asp#SpootTheDog
In Michael McKernan's "Daybreak Real" (and descendants), the gentlespoons balance each other, then do si do, then allemande right. This combination cries out for more uses, as in this dance where everyone gets to do it with their neighbor.
The rest of the dance isn't too complicated, making it a candidate for that small category of dances which are straightforward for beginners while still interesting for veterans. I often use it successfully as the second dance of the evening for a mixed crowd.
Named for Malcolm Sanders' wonderful dog Spoot, who appeared in Malcolm's life at 1:00 AM after a Froggie on the Carport gig during the time the band was infatuated with Ian Burns' tune Spootiskerry. (One story is that "Spootiskerry" approximates the sound of the ocean splooshing into a rock formation on a particular Scottish island.)
Al's Heyday #2 by Al Olson, Nicholas Rockstroh calling
by: Carol Ormand
(variation), Jared McNeil calling
introduces moves: form long waves
formation: improper
Begin in short wavy lines with ladles in the center and ones facing down the set.
A1 | 4 | balance the wave
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4 | neighbors allemande right ¾ to
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0 | form long waves - ladles face in, gentlespoons face out the wave
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4 | balance
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4 | neighbors allemande right ¾
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A2 | 0 | form an ocean wave - gentlespoons by left hands and neighbors by right hands
|
4 | balance the wave
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12 | neighbors swing
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B1 | 8 | circle left 3 places
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8 | partners swing
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B2 | 8 | circle left 3 places
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8 | neighbors do si do 1¾ ⁋
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0 | form an ocean wave - ladles by left hands and neighbors by right hands in short waves
|
Allison Jones calling
introduces moves: pass through, Rory O'More
formation: Becket
A1 | 6 | circle left 3 places
|
2 | pass through to next neighbors ⁋
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8 | neighbors allemande right 1½
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A2 | 0 | form long waves - gentlespoons face in, ladles face out
|
8 | balance & Rory O'More right
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8 | balance & Rory O'More left
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B1 | 16 | neighbors balance & swing
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B2 | 8 | circle left 3 places
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8 | partners swing
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http://www.maxellute.net/cats.html
This dance is something like Peter Stix's "#1 Grade A Top Quality Cats #2" with Rory O'More moves added. Hence the name.
[waltz]
[break]
by: Dean Snipes
Allison Jones calling
introduces moves: promenade, petronella, slide along set
formation: Becket
A1 | 8 | circle left 3 places
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8 | neighbors swing
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A2 | 8 | neighbors promenade
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8 | ladles chain
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B1 | 8 | balance & petronella
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8 | balance & petronella
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B2 | 14 | partners balance & swing
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2 | slide left along set ⁋
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Julian Bee notes that swapping the promenade for a R+L Thru is Linda Leslie's "Old Time Elixir #2", written in 1998. It's unclear when Dean wrote TTT, so both deserve a cross-reference. https://contradb.com/dances/474
by: Becky Hill
Nicholas Rockstroh calling
introduces moves: custom, roll away, square through, box the gnat
formation: four face four
A1 | 4 | lines of four forward
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4 | gentlespoons roll away partners with a half sashay (roll right to left) on the way back
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8 | neighbors do si do once (facing neighbor)
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A2 | 0 | INSIDE FOURSOME:
|
0 | square through four - neighbors balance & pull by right, then shadows pull by left, then repeat to face partner
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0 | WHILE OUTSIDE TWOSOMES:
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16 | neighbors balance & swing end facing partner
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B1 | 8 | partners right hand balance & box the gnat
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8 | grand right and left 1/2 to meet partner on opposite side
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B2 | 16 | partners balance & swing ⁋
|
by: Will Mentor
Naresh Keswani calling
introduces moves: see saw, give & take, zig zag
formation: improper
A1 | 8 | circle right 4 places
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8 | neighbors see saw once
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A2 | 16 | neighbors balance & swing
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B1 | 8 | ladles give & take partners
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8 | partners swing
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B2 | 10 | circle left 5 places to original position
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6 | zig left zag right into a ring ⁋
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aborted during walkthrough, Chet Gray calling
formation: Becket
A1 | 6 | circle left 3 places
|
2 | form an ocean wave - ladles by left hands and neighbors by right hands
| |
8 | balance & Rory O'More right
| |
A2 | 8 | neighbors allemande left 1¼
|
0 | form long waves - ladles face in, gentlespoons face out, right hand to next neighbors
| |
8 | balance & Rory O'More right, past next neighbors ⁋
| |
B1 | 16 | neighbors balance & swing (the neighbor just Rory O'More-d past)
|
B2 | 8 | ladles allemande right 1½
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8 | partners swing
|
http://www.maxellute.net/Salute%20to%20Dave.htm
The trickiest part of this dance is convincing dancers not to take hands and balance after the first Rory OMore.
Written to honor caller, organizer, and choreographer Dave Colestock, who died in May 2017. Debuted at his home dance in Harrisburg PA on May 12, 2017.
by: Heiner Fischle
no walkthrough, Chet Gray calling
formation: improper
A1 | 8 | neighbors do si do once
|
8 | neighbors swing
| |
A2 | 8 | long lines forward & back
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8 | circle left 3 places
| |
B1 | 8 | partners do si do once
|
8 | partners swing
| |
B2 | 8 | long lines forward & back
|
6 | circle left 3 places
| |
2 | pass through ⁋
|
[waltz]