KW 2025-09-03 Joyride (DRAFT)

user: Koren A Wake

Spend Some Time Together

by: Luke Donforth

introduces moves: long lines, swing, allemande, do si do, promenade, chain

formation: improper

A1 8
long lines forward & back
8
neighbors swing (this is a new neighbor)
A2 8
gentlespoons allemande left 1½
8
partners do si do once
B1 16
partners balance & swing
B2 8
partners promenade
8
ladles chain ⁋

Heartbeat Contra

by: Don Flaherty

introduces moves: petronella, balance the ring, gyre, circle, balance, California twirl

formation: improper

A1 8
balance & petronella
8
balance & petronella
A2 4
balance the ring
12
neighbors swing
B1 8
ladles gyre 1½
8
partners swing
B2 8
circle left 3 places
4
partners balance
4
partners California twirl ⁋

Poetry in Motion

by: Lisa Greenleaf

introduces moves: star, give & take

formation: improper

A1 8
star right 4 places
8
neighbors allemande right 1¼
A2 8
next neighbors gyre left shoulders once
8
neighbors swing original neighbor
B1 8
gentlespoons give & take partners
8
partners swing
B2 8
ladles chain to neighbor
8
star left 4 places ⁋

Bob Isaacs notes: The give and take figure originated from Larry Jennings, the great caller and writer from Boston. End the neighbor swing in shoulder/waist position, take two steps forward, and the gentlespoons take their partner’s hand and lead her to his side for a swing. Some “hard-to-get” playfulness usually goes along with this. In this dance the figure is a good alternative to circle L ¾, and in other dances can go to either side of the set.

This smooth-flowing dance was written by one top caller for the marriage of two other outstanding callers, Linda Leslie and Bob Golder, all of whom are from eastern Massachusetts.

Treasure of the Soda Bar

by: Maia McCormick

introduces moves: box the gnat, hey, square through

formation: improper

A1 8
neighbors right hand balance & box the gnat
8
gentlespoons allemande left 1½
A2 8
partners start a half hey - rights on ends, lefts in center (pass P by R)
8
partners swing
B1 8
circle left 3 places
8
neighbors swing
B2 16
square through four - partners balance & pull by right, then neighbors pull by left, then repeat (and look along side for new neighbor) ⁋

A1 is from James Hutson’s “Treasure of the Sierra Madre”. This dance was tested at Soda Bar in Brooklyn, hence the title, and first called at Glen Echo FND in August 2016.

16 for Gregg

by: Luke Donforth

introduces moves: meltdown swing, slide along set

formation: Becket

A1 8
circle left 3 places
8
neighbors swing
A2 8
ladles chain
8
star left - hands across - 4 places
B1 16
gentlespoons start a full hey - lefts in center, rights on ends
B2 14
partners meltdown swing
2
slide left along set ⁋

Green Lake Twirl

by: Isaac Banner

or (harder) Spring Fling, Don Veino

introduces moves: slice, Rory O'More

formation: Becket

A1 4
slice left ⁋
4
gentlespoons take neighbors
8
neighbors swing
A2 8
circle left 3 places
8
partners do si do 1¼ into short waves
B1 8
balance & Rory O'More right
8
balance & Rory O'More left
B2 16
partners balance & swing

Inspired by Cheat Lake Twirl by Perry Shafran

waltz & break

Hellooo Nurse!

by: Maia McCormick

introduces moves: roll away

formation: improper

A1 16
neighbors balance & swing
A2 8
gentlespoons allemande left 1½
8
partners swing
B1 4
long lines forward
4
gentlespoons roll away partners with a half sashay as long lines go back
8
gentlespoons right-hand chain
B2 8
star left 4 places
8
neighbors allemande left 1½ (CURRENT neighbor) ⁋

Written January 2017, called shortly thereafter at Brooklyn Contra. I wanted a dance with a gentlespoons' right-hand chain to a neighbor that was otherwise dead easy, and this is what I came up with. (There are lots of great dances with a gentlespoons' right-hand chain to their partner, but chaining to a neighbor lets dancers practice the move with lots of different folks.) Note that the allemande in B2 is with your CURRENT neighbor, i.e. the one you starred with (this is the biggest point of confusion for experienced dancers used to looking for new neighbors out of a left-hand star).

Pinball Wizard

by: Andrea Nettleton

or (easier) Captain Hook's Revenge, Yoyo Zhou

introduces moves: custom, form an ocean wave, pass through

formation: improper

Begin in a short wave of 4 - right to neighbor; ladles left in the middle

A1 4
balance the wave right & back (with N1)
4
walk fwd to ricochet with next neighbor (N2) and turn back to N1
8
neighbors swing (N1)
A2 8
long lines forward & back
4
pass through to an ocean wave - ladles by left in the center, neighbors by right on the sides
2
neighbors allemande right ½
2
gentlespoons allemande left ½
B1 4
balance the wave right & back (with partner) ⁋
4
walk fwd to ricochet with shadow and turn back to partner
8
partners swing
B2 6
circle left 3 places
2
pass through ⁋
8
next neighbors do si do 1¼ to wave of 4

Weeks on the Road (var)

by: Bill Olson

formation: Becket

My own personal-choreography-discovered-accidental-variation of Weeks on the Road by Bill Olson, this one keeps the energy driving in the B1 leading up to the partner swing much better than the original choreography, which replaces the balance/spin right with a circle left 3/4.

A1 8
left diagonal ladles chain
8
ladles start a half hey - rights in center, lefts on ends
A2 16
neighbors balance & swing
B1 8
balance & petronella
4
balance the ring
4
neighbors California twirl
B2 16
partners balance & swing

The person you chain / chain to in A1 is the neighbor you swing in A2.

Yellow Rose (var)

by: unknown

or (harder) A Rare Bird, Bob Isaacs

introduces moves: poussette

formation: improper

A1 6
half poussette - gentlespoons pull partners back then left
10
neighbors swing
A2 8
gentlespoons start a half hey - lefts in center, rights on ends
8
gentlespoons allemande left 1½
B1 8
partners start a half hey - rights on ends, lefts in center
8
partners swing
B2 8
circle left 3 places
4
balance the ring
4
partners California twirl ⁋

Collected from a dancer in Texas, who transcribed it from a video in which it was danced to the tune "Yellow Rose of Texas." He did not have a name for the dance. As taught to me, it began with a full do si do as couples; I changed it to a half poussette.

Read Between the Lines

by: Bob Isaacs

This dance is not published.