user: Karl Senseman
Waltz
Shottische
Tempest Formation Dance
Waltz
by: Jeffrey Spero
introduces moves: do si do, swing, long lines, allemande, meltdown swing, promenade, circle, pass through
formation: improper
| A1 | 8 | neighbors do si do once
|
| 8 | neighbors swing
| |
| A2 | 8 | long lines forward & back
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| 8 | ladles allemande left 1½
| |
| B1 | 16 | partners meltdown swing
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| B2 | 8 | partners promenade
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| 6 | circle right 3 places
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| 2 | pass through ⁋
|
by: unknown
introduces moves: down the hall, up the hall, right left through
formation: improper
| A1 | 8 | neighbors allemande right 1½
|
| 8 | gentlespoons allemande left 1½
| |
| A2 | 8 | partners do si do once
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| 8 | partners swing
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| B1 | 8 | down the hall and turn as a couple
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| 8 | up the hall and bend into a ring
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| B2 | 8 | right left through
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| 6 | circle left 3 places
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| 2 | pass through ⁋
|
by: Sue Rosen
introduces moves: balance the ring, turn alone
formation: improper
Starts with line of four facing down, #1s in center
| A1 | 8 | down the hall forward then backward [Gay Gorden]
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| 8 | up the hall forward then backward and bend into a ring {Gay Gorden]
| |
| A2 | 8 | circle left 4 places
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| 4 | balance the ring
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| 4 | turn alone [turn towards partner]
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| B1 | 16 | neighbors long swing
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| B2 | 8 | long lines forward & back
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| 8 | ones swing, end facing down ⁋
|
Waltz
Shottische
by: David Smukler
Tempest Formation Dance
introduces moves: arch & dive
formation: Tempest
Two #1 cpls facing down - Two #2 cpls spit and facing in
| A1 | 8 | down the hall and turn as a couple (two #1 cpls in line of four)
|
| 8 | up the hall and turn as a couple (#1s turn to face nearest #2s)
| |
| A2 | 4 | circle left 2 places (two circles either side of set) +
|
| 2 | twos arch ones dive ⁋
| |
| 2 | pass through across the set (two #1 couples in center of set)
| |
| 8 | neighbors do si do once (the #2 couple across the set)
| |
| B1 | 16 | neighbors balance & swing
|
| B2 | 4 | circle left 2 places (two circles)
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| 12 | partners swing (#1s end facing down; #2s face in)
|
David notes: At the top of A2, the circle on the caller’s left should circle left halfway, but the other one can circle right halfway (ccw). It creates an eddying effect, and the flow is slightly improved for that active couple. This small change was suggested by Nils Fredland, and I like it a lot. Since the circles go halfway around, the dance will work either way.
#2s must slide up while #1s go down the hall
#2s when out at the top must slide together and become new #1s facing down; #1s when out at bottom must separate and face in along
side
Making sure the #1s circle with the correct #2s can sometimes be problematic
http://davidsmukler.syracusecountrydancers.org
by: David Kaynor
formation: improper
| A1 | 16 | neighbors balance & swing
|
| A2 | 8 | circle left 3 places
|
| 8 | partners do si do once
| |
| B1 | 16 | partners balance & swing
|
| B2 | 8 | ladles chain
|
| 8 | star left 4 places to new neighbors ⁋
|
by: Aaron Weiss
formation: improper
| A1 | 16 | neighbors meltdown swing
|
| A2 | 8 | circle left 4 places
|
| 8 | ladles allemande right 1½
| |
| B1 | 16 | partners meltdown swing
|
| B2 | 8 | long lines forward & back
|
| 8 | ladles chain (look for new neighbors) ⁋
|
by: Tom Hinds
formation: improper
| A1 | 8 | circle left 4 places
|
| 8 | star right - wrist grip - 4 places
| |
| A2 | 8 | neighbors do si do once
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| 8 | neighbors swing
| |
| B1 | 8 | ladles chain
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| 8 | ladles chain
| |
| B2 | 8 | long lines forward & back
|
| 8 | ones swing ⁋
|
look for new neighbors to circle left with
Waltz