user: Thomas Begley
Waltz :)
by: Sherry Nevins
introduces moves: balance, circle, do si do
formation: improper or proper
Begin joined hands four
| A1 | 4 | balance the ring
|
| 4 | balance the ring
| |
| 8 | circle left 4 places
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| A2 | 4 | balance the ring
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| 4 | balance the ring
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| 8 | circle right 4 places
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| B1 | 8 | neighbors do si do once
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| 8 | partners do si do once (across the set)
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| B2 | 16 | neighbors do si do 1½ as couples (holding partner's hand) ⁋
|
by: unknown
introduces moves: swing, long lines, chain, balance the ring, pass through
formation: improper
| A1 | 16 | neighbors balance & swing
|
| A2 | 8 | long lines forward & back
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| 8 | ladles chain
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| B1 | 8 | ladles do si do once
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| 8 | partners swing
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| B2 | 8 | circle left 3 places
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| 4 | balance the ring
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| 4 | pass through ⁋
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by: Tony Parkes
introduces moves: allemande, star, promenade
formation: improper
| A1 | 8 | long lines forward & back ⁋
|
| 8 | neighbors swing
| |
| A2 | 8 | gentlespoons allemande left 1½
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| 8 | partners swing
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| B1 | 8 | circle left 4 places
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| 8 | star left 4 places
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| B2 | 8 | partners promenade
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| 8 | ladles chain to neighbor
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Bob Isaacs notes: Tony Parkes of Massachusetts has long been one of America’s best callers of contras and squares, and this glossary dance is a fine way to start an evening.
by: Becky Hill
introduces moves: petronella
formation: improper
| A1 | 16 | neighbors balance & swing
|
| A2 | 8 | gentlespoons allemande left 1½
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| 8 | partners swing
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| B1 | 8 | ladles chain
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| 8 | balance & petronella
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| B2 | 8 | balance & petronella
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| 8 | star left 4 places ⁋
|
by: Robert Cromartie
introduces moves: down the hall, up the hall, California twirl
formation: improper
| A1 | 8 | neighbors do si do once
|
| 8 | neighbors swing
| |
| A2 | 8 | ladles chain to partner
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| 8 | ladles chain to neighbor
| |
| B1 | 8 | long lines forward & back
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| 8 | partners swing in the middle; end facing down two by two
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| B2 | 4 | down the hall and turn as a couple
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| 4 | up the hall
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| 4 | partners balance (1s only)
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| 4 | partners California twirl (1s only) ⁋
|
Waltz :)
by: Cary Ravitz
introduces moves: hey
formation: improper
| A1 | 8 | neighbors allemande left 1½
|
| 8 | ladles start a half hey - rights in center, lefts on ends
| |
| A2 | 16 | neighbors balance & swing
|
| B1 | 8 | gentlespoons allemande left 1½
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| 8 | partners swing
| |
| B2 | 8 | circle left 3 places
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| 8 | neighbors allemande right 1½ ⁋
|
by: Orace Johnson
introduces moves: slide along set
formation: Becket
| A1 | 2 | slide left along set ⁋
|
| 8 | circle left 3 places
| |
| 8 | neighbors do si do once
| |
| 16 | neighbors balance & swing
| |
| 8 | circle left 3 places
| |
| 8 | partners do si do once
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| 16 | partners balance & swing
|
by: Tanya Rotenberg
formation: improper
| A1 | 8 | neighbors allemande left 1½
|
| 8 | ladles chain
| |
| A2 | 16 | ladles start a full hey - rights in center, lefts on ends
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| B1 | 16 | partners long swing
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| B2 | 8 | circle left 3 places
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| 8 | neighbors allemande right 1½ ⁋
|
Written in 1985 for the 20th anniversary of her parents' wedding, these being their wedding flowers.
by: Greg Frock
introduces moves: mad robin, pass by
formation: improper
| A1 | 8 | neighbors do si do once
|
| 8 | neighbors swing
| |
| A2 | 8 | long lines forward & back
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| 8 | mad robin, gentlespoons in front
| |
| B1 | 4 | gentlespoons pass by left shoulders
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| 12 | partners swing
| |
| B2 | 8 | circle left 3 places
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| 4 | balance the ring
| |
| 4 | partners California twirl ⁋
|
Dancers will try to rush the mad robin to include the gentlespoons cross in A2. Remind them there is plenty of time to complete the figure. Written for Robin Wilson in 2011
by: Donna Calhoun
formation: improper
| A1 | 8 | down the hall and turn alone 1s in center
|
| 8 | up the hall and bend into a ring
| |
| A2 | 8 | circle left 4 places
|
| 8 | star left 4 places ⁋
| |
| B1 | 16 | neighbors balance & swing NEW Neighbor
|
| B2 | 8 | long lines forward & back
|
| 8 | ones swing end facing down ⁋
|
Written one night when I left my cards on the kitchen table. Sent a friend
to retrieve them, but in the meantime wrote this as a stopgap. It remained
nameless for a couple of years till Robert Cromartie called it and afterward
Gene Hubert asked "What was the name of that Awesome Double
Progression Dance?"