2026-07-21 Trolley Barn Program

user: Sam Whited

Tecumseh

by: Dillon Bustin

introduces moves: figure 8, swing, circle, down the hall, up the hall

formation: Duple improper

A1 8
twos half figure 8 above
8
twos swing, end facing up
A2 8
circle left 4 places
8
circle right 4 places
B1 8
ones half figure 8 below
8
ones swing, end facing down
B2 8
down the hall
8
up the hall backward, ones arch two's duck under ⁋

Mad Scatter

by: Rick Mohr

introduces moves: do si do, allemande, allemande orbit, promenade

formation: scatter mixer

Scattered circles of two or more couples

A1 8
circle left 4 places
8
neighbors do si do once
A2 8
partners allemande right 1½
8
ladles allemande left 1½ around while the gentlespoons orbit clockwise ½ around. Ladles star if more than two.
B1 16
partners balance & swing New partner
B2 16
partners promenade to find new group to circle with ⁋

In this mixer dancers form scattered groups with any number of couples. That makes for fun chaos, less transition panic (compared with 2-couple scatter mixers), and more flavors to enjoy as circle sizes vary.

The A2 allemande ends with ladles in the center facing counterclockwise and gentlespoons on the outside facing clockwise. If there are two ladles they allemande left for 8 beats; if there are more than two they star left for 8 beats. Either way, the gentlespoons orbit clockwise around the ladles. Then all balance and swing a new partner and promenade to a new group.

I tell the dancers it's a zero-stress dance. "If a couple wants to join your circle, let them in!" And no problem if you happen to keep the same partner now and then.

Waltz Break

Midwest Folklore

by: Orace Johnson

introduces moves: slide along set

formation: Becket

A1 2
slide left along set ⁋
8
circle left 3 places
8
neighbors do si do once
16
neighbors balance & swing
8
circle left 3 places
8
partners do si do once
16
partners balance & swing

Maliza's Magical Mystery Motion

by: Cary Ravitz

introduces moves: chain, petronella

formation: Becket ccw

A1 8
gentlespoons allemande left 1½
8
neighbors swing
A2 8
neighbors promenade
8
ladles chain
B1 8
balance & petronella and turn to face the next ⁋
8
balance & petronella
B2 16
partners balance & swing

"The motion in B1 does seem magical – while the ladles Petronella over and back across the set, the gentlespoons do consecutive Petronellas along the side, in effect progressing behind his partner’s back."
- Rich Goss

Waltz Break

Trip to Wilson

by: Will Mentor

introduces moves: star, custom, pass by, long lines, roll away, pass through

formation: improper

a demo of A2 (with star left intro) may prove useful

A1 8
star right 4 places
8
star left 4 places
A2 6
Ladles cast, loop to face across. Gentlespoons follow partner
2
ladles pass by right shoulders
8
neighbors swing
B1 8
gentlespoons allemande left 1½
8
partners swing
B2 4
long lines forward
4
gentlespoons roll away partners with a half sashay
2
pass through and walk single file to new star

All pass through 1/4 R and walk single file along the line to a new neighbor.

For Dale Wilson, who has a knack for strategic figure redeployment into contra settings.

Original and video at: http://dancevideos.childgrove.org/contra/contra-modern/502-trip-to-wilson-by-will-mentor-duple-improper

Osprey Soaring

by: Linda Leslie

introduces moves: form a long wave, star promenade, butterfly whirl

formation: improper

A1 8
ladles dance in to a long wave in the center - balance the wave
8
ladles dance out while gentlespoons dance in to a long wave in the center - balance the wave
A2 8
gentlespoons allemande left ¾
4
star promenade left ½
4
butterfly whirl
B1 8
ladles do si do once
8
partners swing
B2 8
circle left 3 places
8
neighbors swing ⁋

Tica Tica Timing

by: Dean Snipes

formation: Becket

A1 8
circle left 3 places
8
neighbors swing
A2 8
neighbors promenade
8
ladles chain
B1 8
balance & petronella
8
balance & petronella
B2 14
partners balance & swing
2
slide left along set ⁋

Julian Bee notes that swapping the promenade for a R+L Thru is Linda Leslie's "Old Time Elixir #2", written in 1998. It's unclear when Dean wrote TTT, so both deserve a cross-reference. https://contradb.com/dances/474

Closing Waltz