user: Dane Wallinga
by: Orace Johnson
introduces moves: meltdown swing, allemande, swing, down the hall, up the hall, circle, balance the ring, California twirl
formation: improper
A1 | 16 | neighbors meltdown swing
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A2 | 8 | gentlespoons allemande left 1½
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8 | partners swing
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B1 | 8 | down the hall and turn as a couple
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8 | up the hall and bend into a ring
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B2 | 8 | circle left 3 places
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4 | balance the ring
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4 | partners California twirl ⁋
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by: David Kaynor
introduces moves: do si do, chain, star
formation: improper
A1 | 16 | neighbors balance & swing
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A2 | 8 | circle left 3 places
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8 | partners do si do once
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B1 | 16 | partners balance & swing
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B2 | 8 | ladles chain
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8 | star left 4 places to new neighbors ⁋
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by: Lisa Greenleaf
introduces moves: gyre, give & take
formation: improper
A1 | 8 | star right 4 places
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8 | neighbors allemande right 1¼
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A2 | 8 | next neighbors gyre left shoulders once
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8 | neighbors swing original neighbor
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B1 | 8 | gentlespoons give & take partners
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8 | partners swing
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B2 | 8 | ladles chain to neighbor
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8 | star left 4 places ⁋
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Bob Isaacs notes: The give and take figure originated from Larry Jennings, the great caller and writer from Boston. End the neighbor swing in shoulder/waist position, take two steps forward, and the gentlespoons take their partner’s hand and lead her to his side for a swing. Some “hard-to-get” playfulness usually goes along with this. In this dance the figure is a good alternative to circle L ¾, and in other dances can go to either side of the set.
This smooth-flowing dance was written by one top caller for the marriage of two other outstanding callers, Linda Leslie and Bob Golder, all of whom are from eastern Massachusetts.
by: John Coffman
introduces moves: zig zag, long lines
formation: Becket
A1 | 8 | circle left 3 places
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6 | zig left zag right, trailing two catching hands ⁋
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2 | gentlespoons allemande left ½
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A2 | 16 | neighbors balance & swing
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B1 | 8 | long lines forward & back
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8 | ladles allemande right 1½
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B2 | 16 | partners balance & swing
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by: Becky Hill
introduces moves: petronella
formation: improper
A1 | 16 | neighbors balance & swing
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A2 | 8 | gentlespoons allemande left 1½
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8 | partners swing
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B1 | 8 | ladles chain
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8 | balance & petronella
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B2 | 8 | balance & petronella
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8 | star left 4 places ⁋
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by: Tom Calwell
introduces moves: roll away, hey
formation: improper
A1 | 4 | long lines forward ⁋
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4 | gentlespoons roll away neighbors with a half sashay as lines back up *
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8 | ladles chain
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A2 | 16 | ladles start a full hey - rights in center, lefts on ends
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B1 | 16 | partners balance & swing
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B2 | 8 | circle left 3 places
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8 | neighbors swing
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* This is how the dance was originally written, but some find that ladles rolling away gentlespoons flows better into the ladles chain. I think that variation also goes by the name "Rollin' to the Grey Eagle", written by Hank Morris.
by: Dugan Murphy
introduces moves: Rory O'More, cross trails, form an ocean wave
formation: improper
start in short wave, neighbor by right, ladles by left
A1 | 8 | balance & Rory O'More right
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8 | balance & Rory O'More left, ladles slide extra to meet partner on opposite side
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A2 | 16 | partners balance & swing
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B1 | 8 | gentlespoons allemande left 1½
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8 | neighbors swing
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B2 | 4 | balance the ring
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4 | cross trails - partners across the set right shoulders, neighbors along the set left shoulders ⁋
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8 | next neighbors do si do 1¼
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0 | form an ocean wave - ladles by left hands and neighbors by right hands
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by: Gene Hubert
introduces moves: right left through, pass through, turn alone
formation: Becket
A1 | 8 | long lines forward & back
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8 | right left through
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A2 | 8 | ladles chain
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8 | left diagonal ladles chain to shadow
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B1 | 2 | pass through across the set
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2 | turn alone
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8 | circle left 4 places
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4 | pass through
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B2 | 16 | partners balance & swing ⁋
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