user: Moose Flores
Lesson: Circle, give weight, stay connected, AR, AL, DSD, Swing, courtesy turn & chain, better never than late.
After trying once, a demonstration of hey helped IMMENSELY
point out next N BEFORE the B2 progression, & say "... until you meet next N"
A few got a little lost
By now, getting good at heys. A1) You're going to walk around your N twice, and the 2nd time is different from the first time.
Waltz & Break
TUNE: Bloom by Troye Sivan. Such a JAM! ^_^
they LOVED the triple petronella!
Waltz & Goodnight
Unlucky Seven https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=3287
by: unknown
Lesson: Circle, give weight, stay connected, AR, AL, DSD, Swing, courtesy turn & chain, better never than late.
introduces moves: circle, allemande, do si do, swing, right left through, chain
formation: circle
Lesson: Circle, give weight, stay connected, AR, AL, DSD, Swing, courtesy turn & chain, better never than late.
A1 | 8 | circle left 4 places
|
8 | neighbors allemande left once
| |
A2 | 8 | neighbors do si do once
|
8 | partners swing
| |
B1 | 8 | right left through
|
8 | ladles chain
| |
B2 | 16 | partners balance & swing
|
Lesson: Circle, give weight, stay connected, AR, AL, DSD, Swing, courtesy turn & chain, better never than late, keep moving, "keep smiling and all is forgiven", Everyone makes mistakes!
by: Don Lennartson
introduces moves: long lines, star, box circulate
formation: Becket
A1 | 8 | long lines forward & back
|
8 | ladles chain
| |
A2 | 8 | star left 4 places to progress ⁋
|
8 | next neighbors allemande right 1½ to long waves, gentlespoons face in
| |
B1 | 8 | balance & box circulate - gentlespoons cross while ladles loop right
|
8 | balance & box circulate - ladles cross while gentlespoons loop right
| |
B2 | 8 | balance & box circulate - gentlespoons cross while ladles loop right
|
8 | partners swing
|
Editor's Notes:
Based on Steve Schnur's 24th of June.
This dance is from William Watson's mirror of American Country Dances On Line
All rights reserved by the author; used by permission.
Added to database 3/19/1997; last revised 3/5/1999; edited by Russell Owen
by: Aden Water
After trying once, a demonstration of hey helped IMMENSELY
introduces moves: slide along set, hey, balance
formation: Becket CW
A1 | 2 | slide left along set to new neighbors ⁋
|
2 | circle left 1 place
| |
12 | neighbors swing
| |
A2 | 8 | gentlespoons allemande left 1½ to partner
|
8 | partners allemande right 1¼ so Ladles are facing in
| |
B1 | 16 | ladles start a full hey - lefts in center, rights on ends
|
B2 | 4 | partners balance (or right gyre )
|
12 | partners swing
|
Written to be an undistracting first hey dance for newer dancers, it also is quite flowy.
Let your music's vibe dictate whether to balance and swing or right gyre
Video: https://youtu.be/H8Z3IdI2Wb8
by: Luke Donforth
point out next N BEFORE the B2 progression, & say "... until you meet next N"
introduces moves: gyre, stand still
formation: improper
A1 | 4 | neighbors gyre once
|
12 | neighbors swing
| |
A2 | 8 | gentlespoons allemande left 1½
|
8 | ladles start a half hey - rights in center, lefts on ends
| |
B1 | 4 | partners gyre once
|
12 | partners swing
| |
B2 | 8 | circle left 3 places
|
8 | stand still Gentlespoon one cast left
|
In the second half of B2 the circle follows Gentlespoon number one as he/she drops left hand; cast counterclockwise to invert circle and stop when all dancers are facing their original direction of progression.
by: Lisa Greenleaf
A few got a little lost
introduces moves: box the gnat, pull by dancers, custom
formation: improper
Have dancers introduce themselves to their previous neighbor during walkthrough.
A1 | 8 | neighbors right hand balance & box the gnat
|
2 | neighbors pull by right
| |
6 | previous neighbors allemande left once
| |
A2 | 16 | neighbors balance & swing
|
B1 | 6 | circle left 3 places
|
10 | partners swing
| |
B2 | 8 | ladles chain
|
8 | star left 4 places ⁋
|
by: Erik Weberg
By now, getting good at heys. A1) You're going to walk around your N twice, and the 2nd time is different from the first time.
introduces moves: mad robin, poussette, pass by
formation: improper
A1 | 8 | neighbors gyre once
|
8 | mad robin, ladles in front
| |
A2 | 8 | half poussette - gentlespoons pull partners back then left
|
8 | gentlespoons start a half hey - lefts in center, rights on ends
| |
B1 | 2 | gentlespoons pass by left shoulders
|
14 | partners swing
| |
B2 | 8 | ladles chain
|
8 | star left 4 places to next neighbor ⁋
|
This is one of the most flowing dances I’ve written (2007…?) and dancers have expressed appreciation for the connectedness and satisfying feel. After the half pousette with partner, the ladles should let go and take a step back and to the left in order to leave room in the middle for the gentlespoons to begin the hey. The timing of this dance has been described as “squishy”, which is ok. Encourage dancers to stretch out the Mad Robin, the Pousette and the Hey and use all the music provided.
*I’ve recently been teaching this dance the way I initially intended it; with the fifth change of the hey and then the swing in the B1 part of the dance. I’ve found that as I get better at teaching it, it has become easier to convince dancers to suspend their hurry in getting to the next figure during the A parts. As dancers relax into the flow they seem to enjoy it more, and saving that last crossing by the gentlespoons until the B1 seems to enhance the joy.
Ryan Smith notes in a facebook thread: One of my favorite dances of all time is Joyride. It starts with a face-to-face, transitions into a mad robin, then to a half pousette, then to a hey (or at least 7/8ths of one) and then into a swing. Then the ladles chain across and you star to the next neighbor. With the right hall and the right partner, you can lock eyes halfway through A1 and not look away until the end of B1. Because the vast majority of the moves are not moves where you are connected to the other dancers physically, it requires extra effort for the caller. Because the first move needs to take up 8 counts of music, but that most dancers will try to do it in 6 means that there's some more extra work for the caller.
Original at http://www.erikweberg.com/joyride/
by: Breaking Up Thanksgiving Dance Writing Workshop 2022
introduces moves: custom, slice
formation: Becket CW
No neighbor swing.
When out wait in Becket, ready for the slice left.
A1 | 8 | right left through
|
8 | ladles chain
| |
A2 | 8 | mad robin, ladles in front
|
6 | ladles start a half hey - rights in center, lefts on ends
| |
2 | Ladles cross directly to Partner
| |
B1 | 16 | partners balance & swing
|
B2 | 8 | long lines forward & back
|
8 | slice left and straight back with new neighbors ⁋
|
Waltz & Break
by: Becky Hill
TUNE: Bloom by Troye Sivan. Such a JAM! ^_^
formation: improper
A1 | 16 | neighbors balance & swing
|
A2 | 8 | circle left 3 places
|
8 | partners swing
| |
B1 | 8 | long lines forward & back
|
8 | ladles chain to neighbor
| |
B2 | 8 | star left 4 places ⁋
|
8 | next neighbors do si do once
|
introduces moves: custom
formation: Becket
A1 | 2 | slide left along set ⁋
|
6 | circle left 3 places
| |
8 | neighbors swing
| |
A2 | 8 | ladles chain
|
8 | star left 4 places
| |
B1 | 16 | left colonnade - "ones arch, colonnade!" +
|
B2 | 16 | partners balance & swing
|
they LOVED the triple petronella!
introduces moves: petronella, pass through
formation: improper
A1 | 8 | neighbors allemande right 1¾
|
8 | gentlespoons allemande left 1½
| |
A2 | 16 | partners balance & swing
|
B1 | 8 | balance & petronella
|
8 | balance & petronella
| |
B2 | 8 | balance & petronella
|
4 | balance the ring
| |
2 | pass through ⁋
|
Waltz & Goodnight