user: Luke Schoppert
Marshall
Marshall
Marshall
Luke
Luke
Marshall
Marshall
Luke
Luke
Luke
by: Larry Jennings
Marshall
introduces moves: swing, down the hall, up the hall, circle, chain, long lines
formation: improper
| A1 | 16 | neighbors balance & swing, end facing down the hall
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| A2 | 8 | down the hall and turn as a couple
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| 8 | up the hall and bend into a ring
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| B1 | 8 | circle left 3 places
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| 8 | partners swing
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| B2 | 8 | ladles chain
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| 8 | long lines forward & back - ID next neighbors ⁋
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by: Julian Blechner
Marshall
introduces moves: custom, turn alone, allemande, do si do, promenade
formation: circle mixer
| A1 | 8 | ladles to the center and back
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| 2 | gentlespoons to the center
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| 4 | gentlespoons turn alone
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| 2 | gentlespoons go back
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| A2 | 8 | partners allemande left 1½ (gentlespoons progress CCW, ladles progress CW) ⁋
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| 8 | next neighbors do si do once (now your partner)
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| B1 | 16 | partners balance & swing
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| B2 | 16 | partners promenade along the set on the right
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by: Lisa Greenleaf
Marshall
introduces moves: hey, balance the ring, California twirl
formation: improper
| A1 | 16 | neighbors balance & swing
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| A2 | 8 | ladles chain
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| 8 | ladles start a half hey - rights in center, lefts on ends right shoulder
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| B1 | 16 | partners balance & swing
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| B2 | 8 | circle left 3 places
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| 4 | balance the ring
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| 4 | partners California twirl ⁋
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by: Seth Tepfer
Luke
introduces moves: cross trails, custom
formation: four face four
| A1 | 8 | long lines forward & back
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| 8 | first corners swing, form square
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| A2 | 6 | cross trails - ____ ____ right shoulders, ____ ____ left shoulders
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| 10 | partners swing
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| B1 | 8 | circle left 4 places
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| 8 | long lines forward & back
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| B2 | 16 | Leftmost gentlespoons cast left, bring their line of 4 around neighbors
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by: Chris Page
Luke
introduces moves: box circulate, square through, form long waves
formation: improper
begin in long waves---right hand to neighbor, gentlespoons face out, ladles face in.
| A1 | 8 | balance & box circulate - ladles cross while gentlespoons loop right
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| 8 | balance & box circulate - gentlespoons cross while ladles loop right
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| A2 | 8 | balance & box circulate - ladles cross while gentlespoons loop right
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| 8 | partners swing
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| B1 | 8 | circle left 3 places
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| 8 | neighbors swing
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| B2 | 8 | long lines forward & back
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| 8 | square through two - partners balance & pull by right, then neighbors pull by left to ⁋
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| 0 | form long waves - ladles face in, gentlespoons face out
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In the pull-by left, keep left hands and take right hands with a new neighbor to reform long waves.
For better entry, consider an allemande left 1/2 rather than a pull-by left, so that all hands are at the correct height for long waves.
Written for Joyce Fortune of the Bay Area, won at the auction of the 2010 Spring Fever dance camp at Monte Toyon, CA. She requested a dance with long lines, some balances, and a swing/circle/swing transition. (A surprisingly tough set of requirements to fulfill.) This sequence was the option she liked best.
Marshall
introduces moves: right left through
formation: improper
Note the hand in which the next neighbor's hand will be held in the long lines
| A1 | 8 | long lines forward & back
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| 8 | neighbors swing
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| A2 | 8 | right left through
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| 8 | ladles allemande right 1½
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| B1 | 16 | partners balance & swing
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| B2 | 8 | gentlespoons allemande left 1½
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| 8 | neighbors swing and take hands with next neighbors in long lines ⁋
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I was taking a course on gender and sexuality at the time I wrote this. The title is a double pun; "Contra is essential" is one meaning, "against cultural/biological essentialism" is another.
by: Maia McCormick
Marshall
introduces moves: petronella
formation: improper
| A1 | 8 | gentlespoons allemande left 1½
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| 8 | partners swing
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| A2 | 8 | long lines forward & back
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| 8 | ladles chain
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| B1 | 8 | balance & petronella
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| 8 | balance & petronella
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| B2 | 16 | neighbors balance & swing ⁋
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by: Rich Mohr
Luke
introduces moves: custom
formation: four face four
Have dancers note their "trail buddies" and who their corners are. The two dancers in the middle of the line of 4 are corners and the dancers at the ends have their corners in front of them.
| A1 | 8 | long lines forward & back
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| 8 | corners swing
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| A2 | 8 | ladles star right once
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| 8 | corners allemande left 1.25
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| B1 | 10 | partners pull by right for grand right and left until they meet their partner
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| 6 | partners do si do once
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| B2 | 16 | partners balance & swing and end facing new lines of 4 ⁋
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In the grand right and left dancers end up traveling half way around the circle.
by: Cary Ravitz
Luke
introduces moves: pass through, star promenade, butterfly whirl
formation: Becket
| A1 | 6 | circle left 3 places
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| 2 | pass through ⁋
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| 8 | next neighbors swing
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| A2 | 8 | gentlespoons allemande left 1½, keeping hands, pick up partner
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| 4 | star promenade left ½
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| 4 | butterfly whirl to face in
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| B1 | 16 | ladles start a full hey - rights in center, lefts on ends
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| B2 | 16 | partners balance & swing
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Cary Ravitz notes: This dance is an easier version of Through the Looking Glass, or you
might see it as Amy Kahn's Sweet Music with a different progression,
or Steve Zakon-Anderson's Twirling at the Alter with the progression
moved from the hey to the circle, or David Zinkin's Becky's Becket
with a different A2.
by: Maia McCormick
Luke
introduces moves: slide along set, star, box the gnat
formation: Becket
Shadow is next to you.
| A1 | 2 | slide left along set ⁋
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| 6 | circle left 3 places
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| 8 | neighbors swing
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| A2 | 8 | ladles chain
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| 8 | star left 4 places
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| B1 | 8 | shadows right hand balance & box the gnat
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| 8 | shadows do si do 1½
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| B2 | 16 | partners balance & swing
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In the second half of B1, pull by R at the start of the do-si-do for some extra momentum.
Written on a stuck train to Princeton, NJ, late 2014, and first called March 2015 in Silver Spring, MD.