user: Moose Flores
La Bastrangue http://jolainejonespokorney.blogspot.com/2018/03/if-you-stumble-make-it-part-of-dance.html?m=1
break & waltz
Baling Hay by Carol Ormand http://www.ibiblio.org/contradance/thecallersbox/dance.php?id=1522
waltz & goodnight
The Quilting Frolic by Carol Ormand http://www.ibiblio.org/contradance/thecallersbox/dance.php?id=1546
by: Carol Ormand
introduces moves: long lines, gate, down the hall, up the hall, circle, swing
formation: improper
A1 | 8 | long lines forward & back ⁋
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8 | twos gate ones to face down the set
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A2 | 8 | down the hall and turn alone
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8 | up the hall and bend into a ring
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B1 | 8 | circle left 3 places
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8 | partners swing
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B2 | 8 | circle left 3 places
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8 | neighbors swing
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JoLaine Jones Pokorney notes that this is a good dance for enabling dancers of limited mobility to keep up. Here are some more: http://jolainejonespokorney.blogspot.com/2018/03/if-you-stumble-make-it-part-of-dance.html?m=1
by: Isaac Banner
introduces moves: allemande, do si do, chain, right left through
formation: improper
A1 | 8 | long lines forward & back
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8 | neighbors swing
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A2 | 8 | gentlespoons allemande left 1½
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8 | partners do si do 1¼
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B1 | 16 | partners balance & swing
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B2 | 8 | ladles chain to neighbors
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8 | right left through ⁋
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Dosido as much as you want, until it’s time to balance - it’s a free country.
by: Jim Hemphill
introduces moves: promenade
formation: improper
A1 | 8 | gentlespoons do si do once
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8 | ladles allemande left 1½
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A2 | 16 | partners balance & swing
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B1 | 8 | gentlespoons allemande left 1½
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8 | neighbors swing
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B2 | 8 | neighbors promenade across
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8 | long lines forward & back ⁋
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Bradley Smith Notes:
The first time through the dance, the gentlespoons do-si-do in A1 is with the couple that you start the dance with. Every time after that, the gentlespoons have to look to the left to find the next gentlespoon to do-si-do. It's a very simple progression that just requires reminding gentlepoons that they must look to the left every time through the dance after the first to find the next gentlespoon to Do-si-do.
by: Gene Hubert
introduces moves: custom
formation: Becket
A1 | 6 | circle left 3 places
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10 | neighbors swing
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A2 | 6 | neighbors promenade along the set on the right
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2 | ladles cast back while gentlespoons continue forward ⁋
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8 | next neighbors swing
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B1 | 8 | entire set oval left until across from partner
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8 | long lines forward & back
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B2 | 8 | ladles allemande right 1½
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8 | partners swing
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break & waltz
Baling Hay by Carol Ormand http://www.ibiblio.org/contradance/thecallersbox/dance.php?id=1522
by: Tom Hinds
formation: improper
A1 | 8 | long lines forward & back ⁋
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8 | ladles allemande left 1½
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A2 | 16 | partners balance & swing
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B1 | 8 | down the hall and turn as a couple
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8 | up the hall and bend into a ring
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B2 | 8 | circle left 3 places
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8 | neighbors swing
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Bradley Smith Notes: The first time through the dance, the ladles allemande Left in A1 is with the couple that you start the dance with. Every time after that, the ladles have to look to the right to find the next ladle to allemande. It's a very simple progression that just requires reminding the ladles to look for the next ladle in line after the forward and back
by: Cary Ravitz
introduces moves: petronella
formation: Becket ccw
A1 | 8 | gentlespoons allemande left 1½
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8 | neighbors swing
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A2 | 8 | neighbors promenade
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8 | ladles chain
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B1 | 8 | balance & petronella and turn to face the next ⁋
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8 | balance & petronella
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B2 | 16 | partners balance & swing
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"The motion in B1 does seem magical – while the ladles Petronella over and back across the set, the gentlespoons do consecutive Petronellas along the side, in effect progressing behind his partner’s back."
- Rich Goss
waltz & goodnight
by: Koren Wake
introduces moves: form an ocean wave, Rory O'More, pass through, California twirl, balance, custom
formation: improper
start in a short wave, right hand to neighbor, ladles left in middle
A1 | 0 | form an ocean wave - ladles by left hands and neighbors by right hands
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8 | balance & Rory O'More right
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8 | balance & Rory O'More left
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A2 | 2 | neighbors allemande right ½
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2 | gentlespoons allemande left ½
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12 | partners swing
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B1 | 8 | long lines forward & back
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4 | pass through across the set
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4 | partners California twirl
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B2 | 8 | circle left 3 places and collapse to a wave (same wave you started in)
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4 | balance the wave fwd & back
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4 | walk forward 4 steps to new wave with next neighbors ⁋
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A combination of "Good Friday" by Kirston Koths, and "You Can Get There From Here" by Linda Leslie. I'm sure I'm not the first person to combine these!
B1 is not quite the same as a right-and-left through; it's worth specifically teaching the CA twirl to face back in (instead of a regular courtesy turn or courtesy twirl) because it gives much better momentum to flow into the circle left.
The Quilting Frolic by Carol Ormand http://www.ibiblio.org/contradance/thecallersbox/dance.php?id=1546
by: Carol Ormand
formation: improper
A1 | 8 | neighbors allemande right 1½
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8 | star left 4 places with next neighbors
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A2 | 8 | star right 3 places with original neighbors
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8 | partners swing
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B1 | 8 | long lines forward & back
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8 | ladles chain
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B2 | 16 | ladles start a full hey - rights in center, lefts on ends
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by: Bill Olson
introduces moves: box the gnat
formation: improper
A1 | 8 | neighbors right hand balance & box the gnat
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8 | star right - wrist grip - 4 places +
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A2 | 8 | right left through
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8 | ladles allemande right 1½
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B1 | 16 | partners balance & swing
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B2 | 8 | partners promenade
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6 | circle left 3 places
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2 | pass through to new neighbors ⁋
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Variation of https://contradb.com/dances/542 eliminates do-si-do for use outdoors
/+ star back where you came from
Collected from Liz Burkhart at MMiSL 2018.
by: Becky Hill
formation: improper
A1 | 4 | neighbors allemande right ½
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4 | neighbors allemande left once
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8 | ladles chain
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A2 | 16 | ladles start a full hey - rights in center, lefts on ends
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B1 | 16 | partners balance & swing
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B2 | 8 | ladles chain
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8 | star left 4 places
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In A1, allemande right for just three steps, then "jump and grunt" to change hands on the 4th count. Allemande left the same neighbor all the way around so that they have traded places.
by: Lynn Ackerson
introduces moves: custom, balance the ring
formation: four face four
Have dancers note their "trail buddies" and who their corners are. The two dancers in the middle of the line of 4 are corners and the dancers at the ends have their corners in front of them.
A1 | 8 | long lines forward & back
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8 | middle 4 star right 4 places
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A2 | 8 | partners allemande left 1½
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8 | other 4 star right 4 places
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B1 | 16 | partners balance & swing
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B2 | 8 | circle left 4 places
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4 | balance the ring
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4 | partners California twirl ⁋
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In this case there are 8 places in the circle, so going 4 places is equivalent to half way.