user: Karl Senseman
Waltz
Break
Waltz
by: unknown
introduces moves: swing, long lines, chain, do si do, circle, balance the ring, pass through
formation: improper
| A1 | 16 | neighbors balance & swing
|
| A2 | 8 | long lines forward & back
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| 8 | ladles chain
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| B1 | 8 | ladles do si do once
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| 8 | partners swing
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| B2 | 8 | circle left 3 places
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| 4 | balance the ring
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| 4 | pass through ⁋
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by: Carol Kopp
formation: improper
| A1 | 8 | ladles do si do once
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| 8 | gentlespoons do si do once
| |
| A2 | 16 | neighbors balance & swing
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| B1 | 8 | circle left 3 places
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| 8 | partners swing
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| B2 | 8 | long lines forward & back
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| 8 | ladles chain ⁋
|
by: Aaron Weiss
introduces moves: meltdown swing, allemande
formation: improper
| A1 | 16 | neighbors meltdown swing
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| A2 | 8 | circle left 4 places
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| 8 | ladles allemande right 1½
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| B1 | 16 | partners meltdown swing
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| B2 | 8 | long lines forward & back
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| 8 | ladles chain (look for new neighbors) ⁋
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by: Gene Hubert
introduces moves: down the hall, up the hall, star
formation: improper
| A1 | 16 | neighbors long swing, end in a line
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| A2 | 8 | down the hall and turn as a couple
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| 8 | up the hall and bend into a ring
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| B1 | 8 | circle left 3 places
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| 8 | partners swing
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| B2 | 8 | ladles chain
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| 8 | star left 4 places ⁋
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by: Orace Johnson
introduces moves: California twirl
formation: improper
| A1 | 16 | neighbors meltdown swing
|
| A2 | 8 | gentlespoons allemande left 1½
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| 8 | partners swing
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| B1 | 8 | down the hall and turn as a couple
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| 8 | up the hall and bend into a ring
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| B2 | 8 | circle left 3 places
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| 4 | balance the ring
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| 4 | partners California twirl ⁋
|
Waltz
Break
by: Bill Olson
introduces moves: balance, custom, hey
formation: Becket
Nice to start with a couple out at the top because the progression is in A2
Last time thru likewise should start with a couple out at top
| A1 | 8 | circle left 3 places to wavy line across, L in cntr
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| 4 | balance wave
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| 4 | move forward to new wavy line (progression) ⁋
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| A2 | 8 | balance the wave
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| 8 | neighbors swing
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| B1 | 8 | gentlespoons allemande left 1½
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| 8 | partners start a half hey - rights on ends, lefts in center
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| B2 | 16 | partners balance & swing (start again with same neighbors)
|
by: Jeffrey Spero
introduces moves: promenade
formation: improper
| A1 | 8 | neighbors do si do once
|
| 8 | neighbors swing
| |
| A2 | 8 | long lines forward & back
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| 8 | ladles allemande left 1½
| |
| B1 | 16 | partners meltdown swing
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| B2 | 8 | partners promenade
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| 6 | circle right 3 places
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| 2 | pass through ⁋
|
by: Karl Senseman
introduces moves: pull by dancers, star promenade, butterfly whirl
formation: Becket
| A1 | 8 | circle left 3 places
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| 8 | neighbors swing
| |
| A2 | 16 | gentlespoons start a full hey - lefts in center, rights on ends
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| B1 | 2 | gentlespoons pull by left
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| 14 | partners swing
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| B2 | 8 | ladles allemande right once pick up partner
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| 4 | ladles star promenade right ½
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| 4 | butterfly whirl (shift left to next couple) ⁋
|
butterfly whirl: ladles backup while gentlespoons go forward, while doing figure shift left (up or down) to next couple for progression
by: John Coffman
introduces moves: petronella
formation: improper
| A1 | 16 | neighbors balance & swing
|
| A2 | 8 | gentlespoons allemande left 1½
|
| 8 | partners swing
| |
| B1 | 8 | long lines forward & back
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| 8 | ladles chain
| |
| B2 | 8 | balance & petronella
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| 8 | balance & petronella + (look for new neighbors) ⁋
|
by: Bill Olson
introduces moves: roll away
formation: improper
| A1 | 16 | neighbors balance & swing
|
| A2 | 4 | circle left 3 places
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| 4 | gentlespoons roll away partners with a half sashay (along the set)
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| 4 | circle left 2 places
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| 4 | gentlespoons roll away neighbors with a half sashay (across the set)
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| B1 | 16 | partners balance & swing
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| B2 | 8 | circle left 3 places
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| 4 | balance the ring (not part of original choreography)
| |
| 4 | pass through (to new neighbors) ⁋
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http://www.billolsondance.com/wwnc.html
B1: roll away directly into a swing (no balance) is very satisfying
Original choreography has a new neighbor do-si-do after the pass thru in B2. I removed the do-si-do and added a balance the ring prior to the pass thru. Dancers seem to want to associate the B2 do-si-do with the A1 bal&sw and occasionally drift off the phrasing because of it.
Waltz