user: Thomas Begley
Welcome and short lesson
Circle mixer
Waltz and break
Could drop— similar to Jacob potato
Alt above
Waltz and break
Add three more moves: duck for the oyster, sow the wheat, RH bal and box the gnat
Strip the willow
Welcome and short lesson
by: Jacob Bloom
introduces moves: custom, long lines, do si do
formation: Longways set, no H4
| A1 | 8 | Oval left
|
| 8 | Oval right
| |
| A2 | 8 | long lines forward & back
|
| 8 | partners do si do once
| |
| B1 | 16 | Top couple sashay down and back
|
| B2 | 16 | Top couple cast off to bottom, all move up
|
Waltz and break
by: Chestnut
Could drop— similar to Jacob potato
introduces moves: allemande, custom, down the hall, up the hall
formation: four couple longways set
Reel 4 x 40 bars. Four-couple set so sashays aren't numbingly long.
| A1 | 8 | long lines forward & back
|
| 8 | long lines forward & back
| |
| A2 | 8 | partners allemande right once
|
| 8 | partners allemande left once
| |
| B1 | 8 | partners two hand turn
|
| 8 | partners do si do once
| |
| B2 | 8 | ones down the center sashay
|
| 8 | ones up the center sashay
| |
| 8 | ones down the outsides, followed by twos threes fours,
| |
| 0 | ones form an arch
| |
| 8 | twos up the center under the arch, followed by threes fours ⁋
|
"peel the banana" could be helpful language
Sashay til you're out of music
Original at MAXICRIB, Scottish country dancing instructions compiled by Reuben Freemantle: https://www.scottish-country-dancing-dictionary.com/dance-crib/virginia-reel.html
by: Chestnut
introduces moves: circle, star, custom, swing, pass through
formation: Sicilian circle
| A1 | 8 | circle left 4 places
|
| 8 | circle right 4 places
| |
| A2 | 8 | star right 4 places
|
| 8 | star left 4 places
| |
| B1 | 8 | partners do si do once
|
| 2 | Clap, clap
| |
| 6 | partners swing
| |
| B2 | 8 | neighbors do si do once
|
| 2 | Clap, clap
| |
| 6 | pass through ⁋
|
From https://www.jefftk.com/contras/dances/httwedding
Alan Prince Winston notes: [Sicilian formation helps them get the idea of progression without having to deal with standing out and changing roles. The clap-clap part in the B really reenforces things having to happen at the same time, and the figure is unconfusing. Also clarified partner and neighbor.]
by: Fred Breunig
Alt above
introduces moves: arch & dive
formation: Sicilian circle
| A1 | 8 | star right 4 places
|
| 8 | star left 4 places
| |
| A2 | 8 | neighbors do si do once
|
| 8 | partners do si do once
| |
| B1 | 16 | partners long swing
|
| B2 | 4 | twos arch ones dive
|
| 4 | ones arch twos dive (back up)
| |
| 4 | twos arch ones dive
| |
| 4 | twos arch ones dive (backing up), pass thru ⁋
|
If the dancers need more time to complete the
Rolling Arches, then end the Swing earlier.
by: Sherry Nevins
introduces moves: balance the ring
formation: improper
| A1 | 4 | balance the ring
|
| 4 | balance the ring
| |
| 8 | circle left 4 places
| |
| A2 | 4 | balance the ring
|
| 4 | balance the ring
| |
| 8 | circle right 4 places
| |
| B1 | 8 | partners do si do once
|
| 8 | neighbors do si do once
| |
| B2 | 16 | neighbors do si do 1½ as couples ⁋
|
by: Lisa Greenleaf
formation: improper
| A1 | 16 | neighbors balance & swing
|
| A2 | 8 | long lines forward & back
|
| 8 | ladles allemande right 1½
| |
| B1 | 16 | partners balance & swing
|
| B2 | 8 | circle left 3 places
|
| 4 | balance the ring
| |
| 4 | pass through to new neighbors ⁋
|
Bradley Smith Notes: Originally, the last figure of this dance was a neighbor do-si-do 1 1/2, but I usually swap it for the ring balance and pass through to make the progression as simple as possible for inexperienced dancers.
Waltz and break
by: [unknown]
introduces moves: custom, pull by dancers, promenade
formation: circle mixer
All couples in a big circle facing the center. Roles/sides don't particularly matter, but go ahead and put gentlespoons on the left and ladles on the right if you care.
| A1 | 8 | everyone into the middle and back
|
| 8 | into the middle and back
| |
| A2 | 3 | partners pull by right - that's number 1
|
| 2 | next neighbors pull by left - 2
| |
| 3 | next neighbors pull by right -3
| |
| 2 | next neighbors pull by left -4
| |
| 3 | next neighbors pull by right -5
| |
| 3 | next neighbors pull by left -6
| |
| B1 | 16 | next neighbors long swing - number 7! that's your new partner ⁋
|
| B2 | 16 | partners promenade around the ring
|
by: Traditional
introduces moves: custom, star promenade, butterfly whirl
formation: square dance
| A1 | 8 | ladles to the center & back to the bar
|
| 8 | gentlespoons to the center for a right hand star
| |
| A2 | 8 | gentlespoons star right pass your partner ⁋
|
| 2 | pick up next ladle for a
| |
| 6 | star promenade left ½
| |
| B1 | 8 | butterfly whirl to put ladles in center of a left hand star ("shoot the star")
|
| 8 | ladles star promenade left ½
| |
| B2 | 8 | butterfly whirl to put gentlespoons in the center ("shoot the star")
|
| 8 | star right
| |
| 8 | partners swing "swing this ladle"
| |
| 8 | partners promenade home
|
Barn dance dancers have not been quick enough to star right then left, so we've just gone "one direction." Here is that variation.
Patter:
(1 2 3 4 5 6 7 8)
ladles to the center and back to the bar, gentlespoons to the center for a right hand star
(1 2 3 4) back by the left don't go too far
(1 2) pass your partner pick up the next for a star promenade
(1 2 3 4) now gentlespoons back out & ladles go in
once and a half &you're gone again (5 6 7 8)
(1 2 3 4) now ladles back out, ladles go in
turn & a half & you're gone again (5 6 7 8)
(1 2 3 4) now break that star, everyone swing
(1 2 3 4) promenade til you get back home
from Wade Pearson, who notes "when you have dancers who are sharp, you can call this 1ce with gentlespoons as the first star, then a 2nd time with ladles as the first star for the opposite star promenade
by: Eileen Thorsos
Add three more moves: duck for the oyster, sow the wheat, RH bal and box the gnat
by: Chestnut
introduces moves: turn alone, custom
formation: improper or proper
| A1 | 8 | long lines forward & back
|
| 4 | pass through across the set
| |
| 4 | turn alone
| |
| A2 | 8 | long lines forward & back
|
| 4 | pass through across the set
| |
| 4 | turn alone
| |
| B1 | 8 | partners do si do once
|
| 8 | partners swing
| |
| B2 | 16 | top couple sashay to bottom of set - others move up ⁋
|
If you finish dancing before the music is done, let each couple in turn just sashay down until the music is ready to end.
by: Traditional
formation: Circle
| A1 | 16 | circle left 8 places
|
| A2 | 8 | long lines forward & back
|
| 8 | long lines forward & back
| |
| B1 | 16 | next neighbors balance & swing ⁋
|
| B2 | 16 | partners promenade along the set on the right
|
Variation for ONS, with longer circle left to lead into a spiral in/out.
by: David Kaynor
introduces moves: chain
formation: improper
| A1 | 16 | neighbors balance & swing
|
| A2 | 8 | circle left 3 places
|
| 8 | partners do si do once
| |
| B1 | 16 | partners balance & swing
|
| B2 | 8 | ladles chain
|
| 8 | star left 4 places to new neighbors ⁋
|
Strip the willow