user: Allison Jonjak
circle, swing, do si do, allemande, Lark Raven, would you like to dance with me
Annie and the Oaklies: Annie Johnson, Bruce Qualey, Eric Maki
Annie and the Oaklies: Annie Johnson, Bruce Qualey, Eric Maki
Annie and the Oaklies: Annie Johnson, Bruce Qualey, Eric Maki
circle, swing, do si do, allemande, Lark Raven, would you like to dance with me
by: Chestnut
introduces moves: long lines, pass through, turn alone, do si do, swing, custom
formation: improper or proper
A1 | 8 | long lines forward & back
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4 | pass through across the set
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4 | turn alone
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A2 | 8 | long lines forward & back
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4 | pass through across the set
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4 | turn alone
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B1 | 8 | partners do si do once
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8 | partners swing
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B2 | 16 | top couple sashay to bottom of set - others move up ⁋
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If you finish dancing before the music is done, let each couple in turn just sashay down until the music is ready to end.
by: Linda Leslie
introduces moves: circle
formation: three-face-three
Three face three in lines facing up/down the hall. Teach "home position".
A1 | 8 | circle left 6 places
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8 | circle right 6 places
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A2 | 8 | neighbors do si do once "ends do-si-do your opposite"
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8 | neighbors do si do once "middles do-si-do your opposite"
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B1 | 8 | neighbors swing "ends swing your opposite"
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8 | neighbors swing "middles swing your opposite"
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B2 | 8 | long lines forward & back
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8 | pass through to a new line of 3 ⁋
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Linda Leslie notes: Although I don't have the exact time that I wrote this dance, it must predate the first date I called it: 10/22/93 for the Appalachian Mountain Club, Joy Street, Boston. Especially useful for one night stands! Any combination of three. All dancers CAN do this dance, and it really mixes up the dancers. Great for weddings, etc. For these type evenings, I don't talk about #1 or #2 lines of three, or progression: rather I describe "home position". Once we have walked through the dance once, I then point out the couples who have come out at the top and/or bottom, asking them to wait out one time through the dance, turn around, and that this is when "home" changes. Works like a charm.....and the dancers are very happy finding new opposites for each cycle.
Original at http://www.lindalesliecaller.website/very-easy-dances.html
by: Bob Green
introduces moves: star, down the hall, up the hall, gate
formation: improper
A1 | 8 | circle left 4 places
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8 | circle right 4 places
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A2 | 8 | star left - hands across - 4 places
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8 | star right - hands across - 4 places
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B1 | 4 | ones down the center and turn alone
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4 | ones up the center
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8 | twos gate ones to face into the set
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B2 | 16 | ones long swing in the middle, end facing down ⁋
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A variation on the traditional Jefferson And Liberty. Coreographer's notes here: http://www.childgrove.org/index.php/about-dances/dance-writers/bob-green-dances
Annie and the Oaklies: Annie Johnson, Bruce Qualey, Eric Maki
by: Julian Blechner
introduces moves: custom, allemande, promenade
formation: circle mixer
A1 | 8 | ladles to the center and back
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2 | gentlespoons to the center
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4 | gentlespoons turn alone
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2 | gentlespoons go back
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A2 | 8 | partners allemande left 1½ (gentlespoons progress CCW, ladles progress CW) ⁋
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8 | next neighbors do si do once (now your partner)
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B1 | 16 | partners balance & swing
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B2 | 16 | partners promenade along the set on the right
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by: Chestnut
introduces moves: custom
formation: four couple longways set
Reel 4 x 40 bars. Four-couple set so sashays aren't numbingly long.
A1 | 8 | long lines forward & back
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8 | long lines forward & back
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A2 | 8 | partners allemande right once
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8 | partners allemande left once
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B1 | 8 | partners two hand turn
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8 | partners do si do once
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B2 | 8 | ones down the center sashay
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8 | ones up the center sashay
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8 | ones down the outsides, followed by twos threes fours,
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0 | ones form an arch
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8 | twos up the center under the arch, followed by threes fours ⁋
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"peel the banana" could be helpful language
Sashay til you're out of music
Original at MAXICRIB, Scottish country dancing instructions compiled by Reuben Freemantle: https://www.scottish-country-dancing-dictionary.com/dance-crib/virginia-reel.html
by: Linda Leslie
introduces moves: custom
formation: proper
tell the band timing's not essential
A1 | 8 | long lines forward & back
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8 | long lines forward & back
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A2 | 16 | top couple sashay down and back
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B1 | 16 | top couple Dip and Dive down ⁋
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B2 | 16 | partners balance & swing
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Linda Leslie notes: timing here is not essential!
2022 03 27 called "Dip" as "under the arch" and "Dive" as "around the outsides so the 1s split and ring the 2s. Twos are alternately arches and posts.
Annie and the Oaklies: Annie Johnson, Bruce Qualey, Eric Maki
by: Chestnut
introduces moves: custom
formation: Longways Sets, 4-6 Couples
A1 | 16 | top ladle
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A2 | 16 | top gentlespoon
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B1 | 8 | top couple sashay down the middle & back
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8 | top couple separate, cast, walk down to the bottom ⁋
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B2 | 8 | partners do si do once
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8 | partners swing
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alternate B2 is sashay down & back as long lines holding hands (requires more space)
by: Bob Dalsemer
introduces moves: custom
formation: square dance
A1 | 8 | forward and back head couples
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8 | circle left 4 places same four
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A2 | 8 | circle right 4 places same four
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8 | star right 4 places same four
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B1 | 8 | first corners allemande left once
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8 | grand right left
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B2 | 8 | partners do si do once
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8 | partners promenade along the set on the right home
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Repeat for side couples, then all four ladles and all four gentlespoons. The transition from star to grand right and left is a challenge for beginning square dancers and provides an opportunity for the "team" to be successful. Introduction and ending are caller's choice.
by: Chestnut
introduces moves: arch & dive
formation: proper
A1 | 8 | circle left 4 places
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8 | circle right 4 places
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A2 | 8 | star right 4 places
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8 | star left 4 places
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B1 | 8 | ones down the outsides and turn alone
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8 | ones up the outsides and end in long lines, ones in the center, facing down the hall
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B2 | 4 | down the hall
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4 | ones arch twos dive ⁋
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8 | up the hall 2x2 with the twos leading, then ones turn around to face the next
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G Campbell Kaynor notes: For a simple proper dance I do one called Jefferson and Liberty to the tune of the same name (Thos Jefferson's campaign song, a.k.a the Gobby O, an American Irish Jig)
It doesn't matter if people get on the wrong side of the set so I often start the night with this if there are lots of newcomers
by: Dudley Laufman
introduces moves: custom
formation: proper
Longways set, 5-8 couples
A1 | 8 | long lines forward & back
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8 | top couple, sashay down
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A2 | 8 | long lines forward & back
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8 | same two, sashay up to top
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B1 | 8 | partners do si do once
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8 | partners swing, end facing up
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B2 | 16 | top couple face down, others form arch. top couple promenade down ⁋
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by: Chestnut
introduces moves: custom, slide along set
formation: Circle Mixer
Circle Mixer: gentlespoons in center, ladles outside. Hold partner's hands.
A1 | 4 | heel, toe, heel, toe
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4 | slide left along set, slide, slide
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4 | heel, toe, heel, toe
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4 | slide right along set, slide slide
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A2 | 4 | right hand: clap clap clap
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4 | left hand: clap clap clap
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4 | both hands: clap clap clap
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4 | own legs: clap clap clap
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B1 | 8 | partners allemande right once
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8 | move to your next partner ⁋
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by: Chestnut
introduces moves: custom
formation: circle mixer
Couples in a circle around the room facing anti-clockwise, ladles on the right.
Hold: Right hands joined over ladle's shoulder (gentlespoon's arm behind ladle's back), and left hands joined in front.
A1 | 8 | walk forward
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8 | pivot to walk backward (still counterclockwise)
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A2 | 8 | walk forward
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8 | pivot to walk backward (still clockwise)
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B1 | 8 | step together, step apart
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8 | pass ladle to the center
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B2 | 8 | step together, step apart
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8 | ladle turn back
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If not progressing, ladle twirl back to "outside".
Annie and the Oaklies: Annie Johnson, Bruce Qualey, Eric Maki