user: Nicholas Rockstroh
waltz
by: Larry Jennings
introduces moves: swing, circle, promenade, chain, star
formation: improper
| A1 | 16 | neighbors balance & swing
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| A2 | 6 | circle left 3 places
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| 10 | partners swing
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| B1 | 8 | partners promenade
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| 8 | ladles chain
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| B2 | 8 | neighbors promenade
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| 8 | star left 4 places to next neighbors
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One of the great glossary dances. Simple figures and gentle timing, but not so comprehensive that it leaves you with no options to make the second dance feel distinctive. Definitely a favorite of mine.
introduces moves: long lines, right left through, allemande
formation: improper
Note the hand in which the next neighbor's hand will be held in the long lines
| A1 | 8 | long lines forward & back
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| 8 | neighbors swing
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| A2 | 8 | right left through
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| 8 | ladles allemande right 1½
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| B1 | 16 | partners balance & swing
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| B2 | 8 | gentlespoons allemande left 1½
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| 8 | neighbors swing and take hands with next neighbors in long lines ⁋
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I was taking a course on gender and sexuality at the time I wrote this. The title is a double pun; "Contra is essential" is one meaning, "against cultural/biological essentialism" is another.
by: Larry Jennings
introduces moves: hey, meltdown swing, give & take
formation: sawtooth cw
| A1 | 8 | circle left 3 places
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| 8 | neighbors allemande right 1½
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| A2 | 16 | gentlespoons start a full hey - lefts in center, rights on ends
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| B1 | 16 | neighbors meltdown swing
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| B2 | 4 | gentlespoons give & take partners ⁋
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| 12 | partners swing and face next neighbors
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While this was originally written as a sawtooth dance and I've listed it here as such, it might be better to teach this as a clockwise becket dance with a slide left at the beginning as dancers have become better at moving back to the posts for the partner swing after the give and take.
introduces moves: slice, roll away, petronella
formation: Becket cw
| A1 | 4 | slice left ⁋
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| 4 | ladles take neighbors
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| 8 | neighbors swing
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| A2 | 8 | ladles chain
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| 8 | circle right 4 places
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| B1 | 4 | gentlespoons roll away partners with a half sashay
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| 8 | balance & petronella
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| 8 | balance & petronella
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| 12 | partners swing
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I wrote a dance called “Bridge to Yesterday” which was very similar to this one, but turned out to be excessively clockwise. This is the result of my rewrite of that dance. Note the petronella turns where the spinning figures come before the balances as in the original dance “petronella.” I wanted something using the traditional-style petronella turns since it would enable a spin into a 12-count swing.
by: Nathaniel Jack
introduces moves: pull by dancers
formation: improper
| A1 | 16 | neighbors balance & swing
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| A2 | 2 | gentlespoons pull by left
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| 6 | partners allemande right once
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| 8 | gentlespoons start a half hey - rights in center, lefts on ends - ladles ricochet
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| B1 | 8 | circle left 3 places
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| 8 | partners swing
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| B2 | 8 | long lines forward & back
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| 8 | ladles allemande right 1½ ⁋
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waltz
by: Seth Tepfer
introduces moves: Rory O'More, pass through, do si do
formation: improper
Starts in short waves, right hand to neighbors
| A1 | 8 | balance & Rory O'More right
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| 8 | balance & Rory O'More left
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| A2 | 16 | neighbors balance & swing
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| B1 | 8 | ladles allemande right 1½
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| 8 | partners swing
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| B2 | 6 | circle left 3 places
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| 2 | pass through ⁋
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| 8 | next neighbors do si do 1¼ to short waves
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Based on Apples and Chocolate by Sue Rosen
by: Tom Hinds
formation: improper
| A1 | 16 | neighbors balance & swing
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| A2 | 8 | circle left 3 places
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| 2 | pass through
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| 6 | shadows do si do once
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| B1 | 16 | partners balance & swing
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| B2 | 8 | ladles chain
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| 8 | star left 4 places ⁋
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by: Yoyo Zhou
formation: improper
| A1 | 16 | neighbors balance & swing
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| A2 | 6 | neighbors promenade with a wide loop left to face shadow
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| 2 | neighbors promenade along the set on the right
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| 8 | ladles start a half hey - rights in center, lefts on ends - gentlespoons ricochet
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| B1 | 16 | partners balance & swing
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| B2 | 8 | long lines forward & back
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| 8 | gentlespoons start a half hey - lefts in center, rights on ends - ladles ricochet ⁋
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Composed March 18, 2013
Choreographer's notes:
The title refers to a physics joke about combining theory and practice, and it alludes to the broken heys in this dance.
Teaching notes:
* In the promenade across in A2, end facing the couple that was on the left.
* In the long lines in B2, be sure to face those neighbors you just swung. The hey is with them, but the new neighbors are on the right diagonal.
* Out of each ricochet hey, everyone is looking for someone outside the foursome they were doing the hey with.
introduces moves: balance the ring, California twirl, custom
formation: Becket ccw
Couples wait out with gentlespoons on the right and ladles on the left
| A1 | 8 | gentlespoons allemande left 1½
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| 8 | neighbors swing
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| A2 | 4 | balance the ring
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| 4 | partners California twirl, take hands with next neighbors ⁋
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| 8 | balance & petronella
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| B1 | 8 | balance & petronella
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| 4 | balance the ring
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| 4 | neighbors California twirl, keep hands and reach back to partners to form a cloverleaf
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| B2 | 6 | cloverleaf left 3 places
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| 10 | partners swing
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Notice that the two twirls to swap are done with different hands. This is intentional. The California twirl and reach back to a cloverleaf is inspired, primarily, by several Rick Mohr dances which do the same thing.
The name is a result of a remarkable confluence of events. A friend of mine from Wisconsin, Ceara Herndon, was visiting her sister in Vermont. She sent me a picture of a firepit captioned with the title, which seemed like a good name for a dance. As it turns out, the state flower of Vermont is the Red Clover, which I only learned AFTER writing the dance. On top of all this, there's an old, hitherto unpublished dance of mine called "Fire Flower," which also contains a California twirl and reach back to a cloverleaf.
by: Gene Hubert
introduces moves: slide along set
formation: Becket
| A1 | 2 | slide left along set ⁋
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| 6 | circle left 3 places
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| 8 | neighbors swing
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| A2 | 8 | long lines forward & back
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| 8 | ladles chain
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| B1 | 16 | ladles start a full hey - rights in center, lefts on ends
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| B2 | 16 | partners balance & swing
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