user: Chet Gray
progression variation
by: Julian Blechner
introduces moves: custom, turn alone, allemande, do si do, swing, promenade
formation: circle mixer
A1 | 8 | ladles to the center and back
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2 | gentlespoons to the center
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4 | gentlespoons turn alone
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2 | gentlespoons go back
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A2 | 8 | partners allemande left 1½ (gentlespoons progress CCW, ladles progress CW) ⁋
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8 | next neighbors do si do once (now your partner)
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B1 | 16 | partners balance & swing
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B2 | 16 | partners promenade along the set on the right
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by: Jim Hemphill
introduces moves: meltdown swing, circle, right left through, star
formation: improper
A1 | 8 | neighbors allemande right 1½
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8 | gentlespoons allemande left 1½
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A2 | 16 | partners meltdown swing
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B1 | 8 | circle left 3 places
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8 | neighbors swing
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B2 | 8 | right left through
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8 | star left 4 places ⁋
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by: Jim Hemphill
introduces moves: custom, petronella, balance the ring, California twirl
formation: improper
A1 | 16 | neighbors balance & swing
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A2 | 8 | chainsaw promenade left
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8 | chainsaw promenade back to the right
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B1 | 8 | gentlespoons allemande left 1½
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8 | partners swing, end in a ring
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B2 | 8 | balance & petronella
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4 | balance the ring
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4 | partners California twirl ⁋
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Cooked up with the breakfast crew.
Chance Dance, the All you can Eat Contra Dance Weekend
by: Rick Mohr
introduces moves: custom, balance, roll away
formation: triplet
ones improper, twos & threes proper (though it isn't imperative to begin that way, as the A1 resets to this)
A1 | 16 | partners balance & swing - ones face down, others face up
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A2 | 16 | dip and dive, 6 changes - inside couple arch, turn as a couple on the ends
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B1 | 0 | top two couples form a ring of four
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4 | balance in a ring of four
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4 | gentlespoons roll away neighbors with a half sashay - top two ladles from left to right along the set
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0 | all form a ring of six
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4 | balance in a ring of six
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4 | gentlespoons roll away next neighbors (bottom two with neighbor along the set, top with partner across the set)
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B2 | 4 | balance in a ring of six
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12 | circle left 6 places ⁋
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http://rickmohr.net/Contra/Dances.asp#RicksTriplet1:
Ted Sannella wrote many wonderful triplets and popularized the formation for contra dancers. The best triplets give a short intimate dancing experience with a zesty all-moving contra feel and the added variety of 3-couple figures.
A2's "dip and dive" starts with couples 1 and 2 trading places, couple 1 ducking under couple 2's arch. Then couples 1 and 3 trade places, couple 1 arching over couple 3, while couple 2 does a California twirl at the top. Then couple 3 arches over couple 2 while couple 1 does a California twirl at the bottom. After 6 such changes everyone is back home. (This figure works best if the preceding dance had a California twirl so everyone can do it smoothly!)
In B1, couple 1 moves to the middle during the first roll away and to the bottom during the second roll away. In both rollaways the ladles move to their right while the gentlespoons move to their left.
In terms of the original numbering, once through the dance leaves the couples in a 2, 3, 1 sequence.
Video: Rick Mohr & Crowfoot at Au Contraire 2011, Atlanta GA
by: Ridge Kennedy
progression variation
introduces moves: Rory O'More, give & take, pass through, form an ocean wave
formation: improper
Begin in an ocean wave - ladles by left hands and neighbors by right hands
A1 | 8 | balance & Rory O'More right past neighbors
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8 | balance & Rory O'More left
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A2 | 16 | neighbors balance & swing
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B1 | 8 | gentlespoons give & take partners
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8 | partners swing
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B2 | 8 | circle left 3 places
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4 | balance the ring
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2 | pass through to next neighbors ⁋
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2 | form an ocean wave - ladles by left hands and neighbors by right hands
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by: Cary Ravitz
formation: indecent
from proper contra, twos cross - ladles left, gentlespoons right
A1 | 16 | neighbors meltdown swing (or balance and swing)
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A2 | 8 | gentlespoons allemande left 1½
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8 | partners gyre 1½
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B1 | 8 | ladles start a half hey - lefts in center, rights on ends
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8 | partners swing
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B2 | 8 | gentlespoons start a half hey - lefts in center, rights on ends - ladles catch left hands
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8 | star left - hands across - 3 places (gentlespoons are behind partners) - progress to next neighbors ⁋
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Suggested alternate B2a: replace half hey with right left through across the set
https://www.dance.ravitz.us/#lz
by: Gene Hubert
introduces moves: pull by dancers, long lines
formation: improper
A1 | 6 | neighbors balance & pull by right along the set
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10 | next neighbors swing (neighbor 2)
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A2 | 8 | circle left 4 places
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8 | neighbors do si do once
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B1 | 6 | neighbors balance & pull by right
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10 | neighbors swing (neighbor 1)
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B2 | 8 | long lines forward & back
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8 | ones swing - ones face down, twos face up ⁋
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by: Cary Ravitz
introduces moves: box the gnat, custom, chain
formation: improper
A1 | 4 | neighbors balance by right hands
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4 | neighbors box the gnat
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8 | star right - hands across - 4 places
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A2 | 0 | gentlespoons turn out over left shoulder WHILE
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8 | ladles chain to their partner
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8 | star left 4 places
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B1 | 2 | ladles turn out over right shoulder
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14 | partners meltdown swing
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B2 | 6 | circle left 3 places
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2 | pass through
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8 | next neighbors do si do once ⁋
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http://www.dance.ravitz.us/#sb:
A nice ladles' choice variation for B1 is ladles turn in and partners
gypsyleft / partners turn alone clockwise and swing.
by: Chris Page
introduces moves: custom
formation: triple minor, triad formation
Take a standard proper triple minor. 1s and 2s cross over, and then 2s and 3s circle left 1/4. Chris describes it as 1s improper, 2s and 3s Becket. For more on Triad formation, see "TLC Tempest."
A1 | 8 | balance & petronella [3]
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8 | balance & petronella
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A2 | 8 | balance & petronella [4]
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8 | star left 3 places **3 Gentlespoons** [5]
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B1 | 16 | grand right & left - partner right, left, right, partner left, right, left [6]
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B2 | 16 | partners meltdown swing [7] ⁋
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http://chrispagecontra.awardspace.us/dances/index.htm#whirlpool
[1] Starting formation: Take a standard proper triple minor. Ones and twos cross over, and then twos and threes circle left 1/4. I describe it as ones improper, twos and threes Becket. For more on Triad formation, see "TLC Tempest."
[2] Twos and threes progress up, staying with each other, but swapping sides as they travel up. Ones progress down past two couples.
End effects at the top: Every third time through the dance, two couples get spit out at the top. The both wait out improper, one below the other. One will get in the next time, the other will have to wait until the time after that.
End effects at the bottom: Couples just wait out on the sides, Becket-like, for a full hands-six to form. Since this is double progression, there shouldn't be any couples at the bottom accidentally trapped there forever.
[3] All six. For the petronella turn, everyone move one position to their right.
[4] Everyone is now progressed. All the remaining moves finish where they started.
[5]Menease out of the star a tiny bit early so everyone's facing their partner around the circle of six.
[6] Within the group of six.
[7] Or balance and swing. After the swing, ones face down. Twos and threes face uppish and across, having swapped sides.There's no need to mention who are twos and threes. Just call them "side couples".
After testing "Because It Was There," I realized a grand right and left was a good thing to put in a regular-length contra. This was the result, which worked surprisingly well. It's also helped by a low piece count.
by: Lynn Ackerson
introduces moves: custom
formation: Becket
Note future neighbors on left diagonal
A1 | 8 | partners promenade in courtesy turn position - loop wide left ⁋
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8 | star left - hands across - 3 places
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A2 | 0 | gentlespoons turn out over right shoulder on home side
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16 | neighbors meltdown swing
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B1 | 8 | gentlespoons allemande left 1½
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8 | partners swing
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B2 | 8 | right left through
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4 | ladles allemande right once returning to partner
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4 | partners courtesy turn to face across (hold courtesy turn position)
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Written for the band "The Figments" made up of Anna Patton, Ethan Hazzard-Watkins, and Owen Morrison
by: Bob Isaacs