user: Chet Gray
by: Cary Ravitz
introduces moves: hey, custom, circle, swing
formation: cross contra - improper then ladle one and gentlespoon two trade places
A1 | 16 | twos start a full hey - lefts in center, rights on ends
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A2 | 3 | neighbors trade places, ones behind twos
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10 | circle left 4 places - no hands, eyes on partner
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3 | ladles trade places across, ladle one behind ladle two
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B1 | 16 | partners balance & swing
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B2 | 8 | circle left 3 places pass through to new (first corners now on caller's left) ⁋
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8 | first corners (gentlespoon one, ladle two) do si do, while second corners allemande right 1½
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Source: http://www.dance.ravitz.us/#an
A less dizzy start of B2 - gentlespoons start a hands across star left and ladles fall in behind your partner, from initial positions, turn the star 1 for gentlespoons and 1/2 for ladles.
by: Cary Ravitz
introduces moves: custom
formation: cross contra - improper then ladle one and ladle two trade places
A1 | 8 | twos start a half hey - lefts in center, rights on ends - ones ricochet
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8 | twos start a half hey - lefts in center, rights on ends - twos ricochet
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A2 | 3 | neighbors trade places, ones behind twos
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10 | circle left 4 places - no hands, eyes on partner
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3 | gentlespoons trade places across, gentlespoon one behind gentlespoon two
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B1 | 16 | partners balance & swing
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B2 | 8 | circle left 3 places pass through to new (first corners now on caller's left) ⁋
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8 | first corners (gentlespoon one, ladle two) do si do, while second corners allemande right 1½
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Source: http://www.dance.ravitz.us/#anb
A less dizzy start of B2 - gentlespoons start a hands across star left and ladles fall in behind your partner, from initial positions, turn the star 1 for gentlespoons and 1/2 for ladles.
by: Cary Ravitz
introduces moves: slice, chain, form an ocean wave, allemande, balance, pass by
formation: Becket
Note ones and twos before turning from improper to Becket formation.
A1 | 8 | slice left and straight back ⁋
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8 | ladles chain and first corners trade places, first gentlespoon behind second ladle+
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A2 | 8 | pass through to an ocean wave & balance - ones by left in the center, neighbors by right on the sides - gentlespoons face down
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4 | neighbors allemande right ½
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4 | balance the wave, left then right
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B1 | 6 | twos allemande left once
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10 | neighbors swing
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B2 | 2 | gentlespoons pass by left shoulders
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14 | partners swing
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/+ first corners here means dancers on the left line relative to the caller - trade places, first gentlespoon behind, second ladle in front, kinda like one side of a mad robin.
by: Cary Ravitz
introduces moves: pass through, custom
formation: cross contra
from improper, first ladle and second gentlespoon trade places
A1 | 16 | twos start a full hey - lefts in center, rights on ends - ones ricochet first time, twos ricochet second time, ones finish an ordinary hey
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A2 | 16 | neighbors balance & swing
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B1 | 8 | gentlespoons allemande left 1½
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8 | partners swing
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B2 | 6 | circle left 3 places
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2 | pass through to next neighbors ⁋
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0 | SIMULTANEOUS:
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0 | first gentlespoon and second ladle do si do once
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0 | WHILE:
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8 | first ladle and second gentlespoon allemande right 1½
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https://www.dance.ravitz.us/#cc6:
After the circle and pass through, first gentlespoon and second ladle are in the line to the caller's left.
In typical push offs, you push off with same roles neighbors. Here you push off with your partners, so it may be useful to give this tip - facing across, you start on the left, go into the middle, push off, and back up to the right.
See Proper and Cross Contra Formations and Chris Page's contrachoreography for information on cross contra formation (referred to as diagonal formation).
by: Gene Hubert
introduces moves: down the hall, up the hall, long lines, gyre
formation: proper
Form a line of four facing down with ones in the center (second ladle - first ladle - first gentlespoon - second gentlespoon)
A1 | 8 | down the hall and ladles turn as a couple WHILE gentlespoons turn alone (ending first ladle - second ladle - first gentlespoon - second gentlespoon from the caller's perspective)
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8 | up the hall and bend into a ring
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A2 | 8 | circle left 3 places and a little more to a diamond with first gentlespoon facing up, first ladle facing down, twos on opposide sides
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8 | ones swing - end "facing" down
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B1 | 16 | neighbors balance & swing
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B2 | 8 | long lines forward & back
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8 | ones gyre 1½ - end facing down with the first ladle on the LEFT ⁋
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by: Jeffrey Spero
introduces moves: figure 8, custom, meltdown swing
formation: improper
Form a line of four facing down with ones in the center (second ladle - first gentlespoon - first ladle - second gentlespoon)
A1 | 8 | down the hall and centers (ones) turn as a couple WHILE ends (twos) turn alone (ending second ladle - first ladle - first gentlespoon - second gentlespoon from the caller's perspective)
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8 | up the hall and bend into a ring
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A2 | 8 | circle left 3 places
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8 | gentlespoons half figure 8 above, first gentlespoon leading
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B1 | 8 | ones right-hand chain to same-role neighbors
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8 | ones start a half hey - rights in center, lefts on ends - until ones meet the second time
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B2 | 16 | ones meltdown swing WHILE twos move up the outsides slowly to progress ⁋
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https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=10412
http://www.quiteapair.us/calling/acdol/dance/acd_49.html
Composed May 25, 1992; last revised March, 1993
Author's Notes:
This dance was written following a wonderful experience at the 1992 Santa Barbara Sprung Floor Weekend. I was dancing down the hall with a good friend from Berkeley, and when we turned around to dance back up the hall (NOT crossed over, naturally!), I experienced the joy of chaining into a hey from the
ladiesperspective. It's a beautiful thing, a joy thatgentsrarely get a chance to appreciate. This dance was written to allowgentsto experience that pleasure.
Although this appears to be a difficult dance, I have found that it works well with a beginner to intermediate crowd, while pleasing the experienced dancers with its quirkiness.
The March, 1993 revision was by James Hutson
introduces moves: slide along set, do si do, balance the ring, roll away
formation: Becket
A1 | 2 | slide left along set ⁋
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8 | ladles chain
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6 | ladles do si do once, end in a line of four with the ladles in the middle
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A2 | 8 | down the hall and slide doors
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8 | up the hall and bend into a ring
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B1 | 4 | balance the ring
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4 | gentlespoons roll away neighbors with a half sashay
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8 | gentlespoons half figure 8 above, first gentlespoon leading
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B2 | 16 | partners balance & swing
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Based on my other dance Crossroads Contra. That dance had a lot of action for the ladles and almost none for the gentlespoons, so I decided to fix that. Now with a new title.
by: Bob Green
introduces moves: poussette, mad robin, star
formation: proper, ladles traded
This is a proper dance with your partner on the diagonal position when you start.
A1 | 8 | half poussette - ladles pull neighbors back then left
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8 | twos swing
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A2 | 8 | circle left 4 places
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8 | mad robin, twos in front
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B1 | 8 | half poussette - ladles pull neighbors back then left
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8 | ones swing
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B2 | 8 | star right - hands across - 4 places
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8 | neighbors do si do once gentlespoons same neighbor, ladles new neighbor ⁋
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Bob Green, champion of Childgrove, wrote this dance to honor the intersection at which you'll find the Monday Club, our dance hall.
see video at http://dancevideos.childgrove.org/contra/contra-modern/529-maple-cedar-swing
formation: improper
Ones step between twos to form short lines facing down
A1 | 8 | down the hall and turn alone
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8 | up the hall, ones back to back in the center, face neighbors
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A2 | 16 | neighbors start a full hey - lefts on ends, rights in center
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B1 | 8 | neighbors allemande left 1½
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8 | twos swing
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B2 | 8 | neighbors swing
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8 | ones swing ⁋
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Rick Mohr notes: the sequence of swings can be a thrill, especially if dancers end each of them with their back to the person they're going to swing next and then continue momentum to whirl 180° to the right and immediately into the next swing. (The gentlespoon in particular need extra encouragement to turn right out of each swing.)
Here's how I do that part of the walk-through: 2's—finish your swing facing each other in the center, with your back to your neighbor. 1's be ready to catch them! 2's whirl right, right into a swing with your neighbor. End that swing facing your neighbor, with the 1's back-to-back in the center. 1's—whirl right, right into a swing with your partner.
The neighbor swing in B2 ends in the middle of the phrase, something I usually avoid because dancers are so used to swinging until the end of the phrase. But this dance has always worked well, maybe because the series of short swings is a clear focus.
Thanks to co-author Bob Isaacs for greatly improving the sequence of surrounding figures for the string of swings.
Original at http://rickmohr.net/Contra/DancesBest.asp#StringOfSwings
by: Isaac Banner
introduces moves: Rory O'More
formation: improper
Starts in short waves, right hands to neighbors
A1 | 8 | balance & Rory O'More right, gentlespoons keep sliding past each other to catch left hands
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8 | star left - hands across - 4 places, ladles falling in behind partners
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A2 | 4 | balance the star
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4 | ladles Rory O'More left, gentlespoons turn over right shoulders
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8 | star right - hands across - 4 places ⁋
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B1 | 6 | gentlespoons allemande left ¾ with next gentlespoon
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10 | partners swing
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B2 | 8 | circle left 3 places
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8 | neighbors do si do 1¼ to short waves
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Inspired by Catch a Falling Star, by Melanie Axel-Lute
introduces moves: pull by dancers, turn alone
formation: improper
A1 | 16 | neighbors balance & swing
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A2 | 8 | circle left 3 places
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8 | partners swing
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B1 | 8 | long lines forward & back
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8 | star right - hands across - 4 places
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B2 | 4 | balance the star
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4 | ladles pull by right "rolling face-to-face like a half gyre"
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0 | gentlespoons turn alone over their left shoulder
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8 | star left - hands across - 4 places ⁋
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While the ladles swap in the star can be either in the style of a Rory slide (as in "Our House" by Dean Snipes) or the pull by above, Melanie asserts that the pull by was her original intention.
by: Bob Golder
formation: Becket
A1 | 8 | circle left 3 places
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8 | neighbors swing
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A2 | 8 | long lines forward & back
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8 | gentlespoons allemande left 1½
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B1 | 16 | partners balance & swing
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B2 | 4 | gentlespoons pass by left shoulders
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4 | ladles pass by right shoulders and take RH as they pass
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8 | star right - hands across - 4 places and walk along the set to find the next couple (ladles behind partner) ⁋
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Written by Bob Golder for a friend with some mobility issues, and so contains only moves that she could do comfortably.
by: Julian Blechner
formation: improper
A1 | 16 | neighbors meltdown swing
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A2 | 6 | circle left 3 places
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2 | pass through
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8 | shadows do si do once
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B1 | 4 | balance the ring with partner
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4 | gentlespoons roll away neighbors with a half sashay
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8 | partners swing
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B2 | 8 | gentlespoons allemande left 1½
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8 | star left - hands across - 4 places with ladles stepping in behind their partner ⁋
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by: Dean Snipes
introduces moves: form a long wave
formation: Becket
A1 | 8 | gentlespoons allemande left 1½
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8 | neighbors swing
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A2 | 8 | ladles chain
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8 | star left - hands across - 4 places and a little bit more
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B1 | 0 | ladles form a long wave in the center
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8 | balance & ladles Rory O'More right while gentlespoons Rory across
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8 | star right - hands across - 4 places and a little bit more
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B2 | 16 | partners balance & swing ⁋
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by: Lynn Ackerson
introduces moves: star promenade, butterfly whirl
formation: Becket
A1 | 4 | balance the ring
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4 | ladles pass by left shoulders
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8 | star left 4 places to next neighbors ⁋
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A2 | 16 | next neighbors meltdown swing
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B1 | 8 | gentlespoons allemande left 1½, scoop up partners
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4 | star promenade left ½
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4 | butterfly whirl
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B2 | 4 | ladles allemande right once
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12 | partners swing
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by: Adam Carlson
formation: improper
A1 | 8 | star left - hands across - 4 places ladles drop out at the end, and wait briefly for partner
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4 | star promenade left ½ pick up partner by the waist
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4 | butterfly whirl
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A2 | 8 | ladles allemande right 1½ pick up neighbor by the waist
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4 | ladles star promenade right ½
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4 | butterfly whirl
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B1 | 2 | gentlespoons pass by right shoulders
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14 | partners swing ⁋
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B2 | 8 | ladles allemande right 1½
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8 | star right - hands across - 4 places
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by: Gwyn Williams
formation: Sicilian Circle
Line up improper for a Sicilian circle, then turn to face partners making 2 large circles for A1.
A1 | 8 | circle left 6 places (2 large counter-rotating circles)
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8 | circle right 6 places (2 large counter-rotating circles)
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A2 | 8 | ladles allemande left 1½
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8 | partners swing
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B1 | 8 | circle left 3 places
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8 | neighbors do si do once ⁋
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B2 | 16 | neighbors balance & swing
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A1 is large counter-rotating circles, ending up facing partner. B1 is hands-4 circle.
by: Donna Calhoun
introduces moves: promenade
formation: Becket
A1 | 6 | circle left 3 places
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2 | pass through ⁋
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8 | neighbors do si do 1¼ Ladles are standing left shoulder to left shoulder in center
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A2 | 6 | partners promenade along the set on the right Single file
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2 | turn alone
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8 | partners promenade on the left Back to the Neighbor you Do-si-Doed
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B1 | 8 | neighbors allemande left once or twice
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8 | ladles allemande right 1½
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B2 | 16 | partners balance & swing
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For Halloween I call this dance the Zombie walk and have the dancers imitate Zombies during the single file promenade