user: Edie Sussman
Fell apart when I tried to drop out of calling - feedback from dancers that it would have worked if I had kept cueing!
Waltz & Break
family dance
by: John Coffman
introduces moves: circle, chain, allemande, swing, balance the ring, California twirl
formation: improper
| A1 | 8 | circle right 3 places
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| 8 | ladles chain
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| A2 | 8 | ladles allemande right once
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| 8 | neighbors swing
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| B1 | 8 | gentlespoons allemande left 1½
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| 8 | partners swing
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| B2 | 8 | circle left 3 places
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| 4 | balance the ring
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| 4 | partners California twirl ⁋
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by: Seth Tepfer
introduces moves: Rory O'More, pass through, do si do
formation: improper
Starts in short waves, right hand to neighbors
| A1 | 8 | balance & Rory O'More right
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| 8 | balance & Rory O'More left
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| A2 | 16 | neighbors balance & swing
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| B1 | 8 | ladles allemande right 1½
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| 8 | partners swing
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| B2 | 6 | circle left 3 places
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| 2 | pass through ⁋
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| 8 | next neighbors do si do 1¼ to short waves
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Based on Apples and Chocolate by Sue Rosen
by: Rick Mohr
introduces moves: arch & dive, down the hall, up the hall, pass by
formation: improper
| A1 | 4 | ones arch twos dive
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| 4 | partners California twirl
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| 8 | neighbors swing
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| A2 | 8 | down the hall and turn alone
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| 8 | up the hall and bend into a ring
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| B1 | 4 | balance the ring
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| 4 | gentlespoons pass by right shoulders
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| 8 | partners swing
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| B2 | 8 | circle left 3 places
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| 4 | balance the ring
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| 4 | twos arch ones dive ⁋
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Consider teaching the full dip and dive together by starting the walkthrough with the final B2 arch figure (after asking the dancers to back up one place).
https://rickmohr.net/Contra/Dances/#TunnelToCalifornia
by: Becky Hill
introduces moves: slide along set, mad robin, hey
formation: Becket
| A1 | 6 | circle left 4 places
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| 2 | slide left along set
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| 8 | ladles chain
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| A2 | 8 | mad robin, ladles in front
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| 8 | ladles start a half hey - rights in center, lefts on ends
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| B1 | 16 | partners balance & swing
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| B2 | 8 | gentlespoons allemande left 1½
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| 8 | partners swing
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by: Carol Ormand
Fell apart when I tried to drop out of calling - feedback from dancers that it would have worked if I had kept cueing!
introduces moves: zig zag, star
formation: improper
| A1 | 4 | zig left zag right into a ring with N2
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| 4 | circle right 2 places [with N2]
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| 4 | zig right zag left to *pass* neighbor N1
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| 4 | zig left zag right into a ring with N0
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| A2 | 4 | circle right 2 places [with N0]
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| 4 | zig right zag left back to N1
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| 8 | neighbors swing [with N1]
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| B1 | 8 | circle left 3 places
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| 8 | partners swing
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| B2 | 8 | ladles chain
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| 8 | star left 4 places ⁋
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Zig and zag/weave the line is snappy! Make sure dancers get where they need to be to circle halfway and keep moving.
Dancers should stay alert at ends because couples will come out to circle right with them.
In the star, gentlespoons can offer their right hand behind them to their partner, which flows nicely into the zig left.
Appears in https://www.library.unh.edu/special/forms/rpdlw/syllabus2015.pdf#page=46
by: Linda Leslie
introduces moves: give & take, promenade, petronella
formation: Becket
Identify next neighbors on left diagonal.
| A1 | 4 | gentlespoons give & take neighbors
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| 12 | neighbors swing
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| A2 | 8 | ladles chain
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| 6 | partners promenade
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| 2 | slide right along set (j-hook) ⁋
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| B1 | 8 | balance & petronella
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| 8 | balance & petronella
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| B2 | 16 | partners balance & swing
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Linda's notes:
"Written for our friends Lucia Watson and Jeff Weiler so they could twirl like crazy in the chain. In 2017, I actually switched the sequences: the dance used to start at the B1. I like this much better!"
Waltz & Break
by: Jacob Bloom
family dance
introduces moves: custom, long lines
formation: Longways set, no H4
| A1 | 8 | Oval left
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| 8 | Oval right
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| A2 | 8 | long lines forward & back
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| 8 | partners do si do once
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| B1 | 16 | Top couple sashay down and back
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| B2 | 16 | Top couple cast off to bottom, all move up
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by: Bob Isaacs
introduces moves: right left through, balance, roll away
formation: improper
| A1 | 16 | neighbors balance & swing
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| A2 | 8 | right left through
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| 8 | ladles chain
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| B1 | 4 | balance the ring
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| 4 | gentlespoons roll away neighbors with a half sashay across the set
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| 8 | partners swing
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| B2 | 8 | circle left 3 places
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| 2 | pass through ⁋
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| 8 | next neighbors do si do once
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by: Chris Page
introduces moves: poussette, meltdown swing
formation: Becket
| A1 | 8 | gentlespoons allemande left 1½ with next gentlespoons on left diagonal (outside the minor set), ladles shift left ⁋
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| 8 | next neighbors swing
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| A2 | 8 | circle left 3 places
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| 4 | balance the ring
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| 4 | neighbors California twirl, give two hands to neighbors
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| B1 | 5 | half poussette - ladles pull neighbors back then left around partners
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| 3 | mad robin ½ around, ladles in front, around partners
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| 5 | half poussette - ladles pull neighbors back then right around shadows ⁋
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| 3 | mad robin ½ around, ladles in front around shadows, then turn away to find partners
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| B2 | 16 | partners meltdown swing
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by: Don Flaherty
formation: improper
Please walk this dance thru before taking to the dance floor, any feed back would be appreciate you can E-mail do14flah@aol.com
thanks Don Flaherty
| A1 | 8 | neighbors do si do once (do si do as a couple with partner around neighbors )
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| 8 | neighbors swing
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| A2 | 8 | ladles chain
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| 8 | ladles start a half hey - rights in center, lefts on ends
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| B1 | 16 | partners balance & swing
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| B2 | 8 | circle left 3 places
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| 4 | balance the ring
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| 4 | partners California twirl ⁋
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New and experienced dancers seem to like this dance for its wonderful flow
couple do si do this was the first dance to have this figure in it 35 years ago this was probably the first dance with a couple do si do
by: Maia McCormick
introduces moves: box the gnat
formation: Becket
Shadow is next to you.
| A1 | 2 | slide left along set ⁋
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| 6 | circle left 3 places
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| 8 | neighbors swing
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| A2 | 8 | ladles chain
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| 8 | star left 4 places
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| B1 | 8 | shadows right hand balance & box the gnat
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| 8 | shadows do si do 1½
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| B2 | 16 | partners balance & swing
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In the second half of B1, pull by R at the start of the do-si-do for some extra momentum.
Written on a stuck train to Princeton, NJ, late 2014, and first called March 2015 in Silver Spring, MD.