user: Moose Flores
Big circles / scatter
Farandole - Traditional
Four facing four /3f3
Longways sets /small circles
Country Bumpkin by Michael Barraclough
Four Around Four by unknown
Houlton Exchange by Lisa Heywood
Contras
Big circles / scatter
by: Traditional
Farandole - Traditional
introduces moves: custom
formation: Circle
May start with sending the Wave around the circle, toe tapping, arm swinging. Then LLFB & circle left. The leader breaks the circle into a chain.
| A1 | 8 | arms up, LLFB
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| 8 | Circle left
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| A2 | 8 | Spiral in, spiral out
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| 8 | zig-zags (leader arch to reverse)
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| B1 | 8 | "double bow knot" then thread the needle down the line
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| 8 | Spiral in, cut through
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| B2 | 8 | 2x2 arches that slide down, then go back through
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| 8 | Spiral in, leader arch to spiral out ("clap with the music")
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by: Jim Gregory
introduces moves: circle, do si do, swing, promenade, custom
formation: Circle mixer
| A1 | 8 | circle left 4 places
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| 8 | circle right 4 places - single file, ladles tap shoulder of new partner ⁋
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| A2 | 8 | partners do si do once
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| 8 | partners swing
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| B1 | 8 | partners promenade, then face the center
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| 8 | couples go forward & back
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| B2 | 8 | ladles go forward & back
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| 8 | gentlespoons go forward & back
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by: Cis Hinkle
introduces moves: custom
formation: circle of threes
| A1 | 16 | partners promenade around the ring
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| A2 | 16 | center dancer: turn right by the right, turn left by the left, turn right by the right, then you turn back
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| B1 | 16 | Current ends arch; current center people single file promenade clockwise around the major set under arches, until caller says "CATCH SOMEONE!" ⁋
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| B2 | 16 | partners long swing (basket), and end with a different person in the center
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by: Carol Ormand
formation: mixer
after promenading, form circles of any size
| A1 | 16 | partners promenade, join up with one or more couples ⁋
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| A2 | 8 | circle left 4 places
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| 8 | circle right 4 places
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| B1 | 8 | first corners do si do once
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| 8 | first corners swing
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| B2 | 8 | partners do si do once
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| 8 | partners swing
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Four facing four /3f3
by: Lynn Ackerson
introduces moves: long lines, custom, allemande, balance the ring, California twirl
formation: four face four
Have dancers note their "trail buddies" and who their corners are. The two dancers in the middle of the line of 4 are corners and the dancers at the ends have their corners in front of them.
| A1 | 8 | long lines forward & back
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| 8 | middle 4 star right 4 places
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| A2 | 8 | partners allemande left 1½
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| 8 | other 4 star right 4 places
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| B1 | 16 | partners balance & swing
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| B2 | 8 | circle left 4 places
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| 4 | balance the ring
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| 4 | partners California twirl ⁋
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In this case there are 8 places in the circle, so going 4 places is equivalent to half way.
by: Moose Flores
introduces moves: custom, meltdown swing
formation: four face four
Inspired by a French court dance from Versailles.
In A1, try a shuffle step
| A1 | 16 | as couples, mad ladle clockwise (think: 8 count sliding door, twice)
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| A2 | 0 | Center four dancers: star right, star left
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| 16 | meanwhile, at ends: neighbors allemande left once, allemande right once.
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| B1 | 6 | partners do si do once
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| 10 | Grand right and left halfway around
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| B2 | 16 | partners meltdown swing, end facing new neighbors ⁋
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Inspired by La Tempete
https://youtu.be/vmiq0m7JTzM
by: Linda Leslie
introduces moves: pass through
formation: three-face-three
Three face three in lines facing up/down the hall. Teach "home position".
| A1 | 8 | circle left 6 places
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| 8 | circle right 6 places
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| A2 | 8 | neighbors do si do once "ends do-si-do your opposite"
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| 8 | neighbors do si do once "middles do-si-do your opposite"
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| B1 | 8 | neighbors swing "ends swing your opposite"
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| 8 | neighbors swing "middles swing your opposite"
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| B2 | 8 | long lines forward & back
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| 8 | pass through to a new line of 3 ⁋
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Linda Leslie notes: Although I don't have the exact time that I wrote this dance, it must predate the first date I called it: 10/22/93 for the Appalachian Mountain Club, Joy Street, Boston. Especially useful for one night stands! Any combination of three. All dancers CAN do this dance, and it really mixes up the dancers. Great for weddings, etc. For these type evenings, I don't talk about #1 or #2 lines of three, or progression: rather I describe "home position". Once we have walked through the dance once, I then point out the couples who have come out at the top and/or bottom, asking them to wait out one time through the dance, turn around, and that this is when "home" changes. Works like a charm.....and the dancers are very happy finding new opposites for each cycle.
Original at http://www.lindalesliecaller.website/very-easy-dances.html
Longways sets /small circles
by: Chestnut
introduces moves: turn alone, custom
formation: improper or proper
| A1 | 8 | long lines forward & back
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| 4 | pass through across the set
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| 4 | turn alone
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| A2 | 8 | long lines forward & back
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| 4 | pass through across the set
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| 4 | turn alone
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| B1 | 8 | partners do si do once
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| 8 | partners swing
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| B2 | 16 | top couple sashay to bottom of set - others move up ⁋
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If you finish dancing before the music is done, let each couple in turn just sashay down until the music is ready to end.
introduces moves: star, custom
formation: Becket (no matter)
| A1 | 8 | long lines forward & back
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| 8 | long lines forward & back
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| A2 | 8 | star right 4 places
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| 8 | star left 4 places
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| B1 | 8 | neighbors do si do once
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| 8 | partners do si do once
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| B2 | 16 | top 2 couples form line of 4, dance to the bottom over everyone's heads ⁋
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____0_________X___
^___0__^__^__X__^_
|___0___|___|__X__|_
0__ 0__X__0__X__X_
Country Bumpkin by Michael Barraclough
introduces moves: custom
formation: longways sets, up to 6 couples
| A1 | 8 | long lines forward & back
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| 8 | one line makes arches. All pass through to cross the set. Face the top couple.
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| A2 | 8 | top couple sashay down
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| 8 | top couple sashay back up
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| B1 | 16 | Horseshoe Chain: Starting with the top couple pulling by right, ending with the top couple at the bottom. ++
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| B2 | 8 | top couple makes an arch, everyone else take your partner up through the arch ⁋
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| 8 | partners swing
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++ Horseshoe Chain: "Top couple face each other, everyone else faces up towards the band/top couple. First, explain where people will be going: they will move up their own line, cross with their partner at the top of the set and then move down the other side. Then, explain how they get there: the top couple start off the move by joining right hands and then move past each other. They let go and stick out their left hands to join with the next person they meet. Everyone joins in the chain when someone joins hands with them. Once you’re in the chain, you keep joining right and left hands with people and cross over to the other side when you get to the top."
https://lisaheywood.net/dance-cards/
Contras
by: Chestnut
introduces moves: down the hall, up the hall, arch & dive
formation: proper
| A1 | 8 | circle left 4 places
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| 8 | circle right 4 places
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| A2 | 8 | star right 4 places
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| 8 | star left 4 places
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| B1 | 8 | ones down the outsides and turn alone
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| 8 | ones up the outsides and end in long lines, ones in the center, facing down the hall
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| B2 | 4 | down the hall
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| 4 | ones arch twos dive ⁋
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| 8 | up the hall 2x2 with the twos leading, then ones turn around to face the next
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G Campbell Kaynor notes: For a simple proper dance I do one called Jefferson and Liberty to the tune of the same name (Thos Jefferson's campaign song, a.k.a the Gobby O, an American Irish Jig)
It doesn't matter if people get on the wrong side of the set so I often start the night with this if there are lots of newcomers
by: Tom Hinds
introduces moves: hey
formation: improper
| A1 | 8 | long lines forward & back ⁋
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| 8 | ladles allemande left 1½
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| A2 | 16 | partners start a full hey - rights on ends, lefts in center
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| B1 | 16 | partners balance & swing
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| B2 | 8 | circle left 3 places
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| 8 | neighbors swing
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by: Bob Dalsemer
introduces moves: custom
formation: improper
Can be called without any role distinctions
| A1 | 8 | circle left 4 places
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| 8 | circle right 4 places
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| A2 | 4 | ones arch twos dive
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| 4 | twos seperate, cast home
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| 8 | twos swing
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| B1 | 8 | neighbors do si do once
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| 8 | neighbors swing
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| B2 | 8 | long lines forward & back
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| 8 | ones swing ⁋
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introduces moves: slide along set, chain, custom
formation: Becket
| A1 | 2 | slide left along set ⁋
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| 6 | circle left 3 places
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| 8 | neighbors swing
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| A2 | 8 | long lines forward & back
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| 8 | ladles chain
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| B1 | 16 | left colonnade - "ones arch, colonnade!" +
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| B2 | 16 | partners balance & swing
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Variation by Seth Tepfer
introduces moves: petronella, balance
formation: improper
| A1 | 8 | neighbors allemande right 1¾
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| 8 | gentlespoons allemande left 1½
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| A2 | 16 | partners balance & swing
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| B1 | 8 | balance & petronella
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| 8 | balance & petronella
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| B2 | 8 | balance & petronella
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| 4 | balance the ring
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| 2 | pass through ⁋
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by: Moose Flores
formation: improper
Designate ones and twos.
The dance begins in lines of four, with the ones in the center.
| A1 | 8 | down the hall and turn as a couple
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| 8 | up the hall and turn alone facing the center
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| A2 | 16 | twos start a full hey - rights in center, lefts on ends
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| B1 | 16 | twos meltdown swing, end facing up, then separate to the sides
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| B2 | 16 | ones meltdown swing, end facing down to pick up next neighbors ⁋
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For Qwill, on their birthday.
formation: Becket
A2) Promenade goes around the oval, turn as a couple. Then promenade to return to where you started, but do not turn.
| A1 | 2 | slide left along set ⁋
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| 6 | circle left 3 places
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| 8 | neighbors swing, end facing CCW (gentlespoon's left shoulder toward the center)
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| A2 | 8 | neighbors promenade along the set on the right, turn as a couple
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| 8 | neighbors promenade along the set on the left, returning to your partner, do not turn
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| B1 | 8 | partners do si do ¾, as couples
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| 8 | partners do si do once
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| B2 | 16 | partners balance & swing
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A2) while promenading, hand holds are not so important.
B1) The "as couples 3/4 do si do" begins by sliding back to back with the other couple, and ends face to face with your partner.