2026-10-03 7 days, 4 gigs.

user: Moose Flores

Big circles / scatter

Farandole

by: Traditional

Farandole - Traditional

introduces moves: custom

formation: Circle

May start with sending the Wave around the circle, toe tapping, arm swinging. Then LLFB & circle left. The leader breaks the circle into a chain.

A1 8
arms up, LLFB
8
Circle left
A2 8
Spiral in, spiral out
8
zig-zags (leader arch to reverse)
B1 8
"double bow knot" then thread the needle down the line
8
Spiral in, cut through
B2 8
2x2 arches that slide down, then go back through
8
Spiral in, leader arch to spiral out ("clap with the music")

Yellow Cat's Jig (Maggie Jo's Version)

by: Jim Gregory

introduces moves: circle, do si do, swing, promenade, custom

formation: Circle mixer

A1 8
circle left 4 places
8
circle right 4 places - single file, ladles tap shoulder of new partner ⁋
A2 8
partners do si do once
8
partners swing
B1 8
partners promenade, then face the center
8
couples go forward & back
B2 8
ladles go forward & back
8
gentlespoons go forward & back

Catch Somebody (Cis Hinkle's version)

by: Cis Hinkle

introduces moves: custom

formation: circle of threes

A1 16
partners promenade around the ring
A2 16
center dancer: turn right by the right, turn left by the left, turn right by the right, then you turn back
B1 16
Current ends arch; current center people single file promenade clockwise around the major set under arches, until caller says "CATCH SOMEONE!" ⁋
B2 16
partners long swing (basket), and end with a different person in the center

Scatter Promenade (keeper) (variation)

by: Carol Ormand

formation: mixer

after promenading, form circles of any size

A1 16
partners promenade, join up with one or more couples ⁋
A2 8
circle left 4 places
8
circle right 4 places
B1 8
first corners do si do once
8
first corners swing
B2 8
partners do si do once
8
partners swing

Four facing four /3f3

Coconut Cream Pie

by: Lynn Ackerson

introduces moves: long lines, custom, allemande, balance the ring, California twirl

formation: four face four

Have dancers note their "trail buddies" and who their corners are. The two dancers in the middle of the line of 4 are corners and the dancers at the ends have their corners in front of them.

A1 8
long lines forward & back
8
middle 4 star right 4 places
A2 8
partners allemande left 1½
8
other 4 star right 4 places
B1 16
partners balance & swing
B2 8
circle left 4 places
4
balance the ring
4
partners California twirl ⁋

In this case there are 8 places in the circle, so going 4 places is equivalent to half way.

Trip to Versailles

by: Moose Flores

introduces moves: custom, meltdown swing

formation: four face four

Inspired by a French court dance from Versailles.
In A1, try a shuffle step

A1 16
as couples, mad ladle clockwise (think: 8 count sliding door, twice)
A2 0
Center four dancers: star right, star left
16
meanwhile, at ends: neighbors allemande left once, allemande right once.
B1 6
partners do si do once
10
Grand right and left halfway around
B2 16
partners meltdown swing, end facing new neighbors ⁋

Inspired by La Tempete
https://youtu.be/vmiq0m7JTzM

Do-Si-Three

by: Linda Leslie

introduces moves: pass through

formation: three-face-three

Three face three in lines facing up/down the hall. Teach "home position".

A1 8
circle left 6 places
8
circle right 6 places
A2 8
neighbors do si do once "ends do-si-do your opposite"
8
neighbors do si do once "middles do-si-do your opposite"
B1 8
neighbors swing "ends swing your opposite"
8
neighbors swing "middles swing your opposite"
B2 8
long lines forward & back
8
pass through to a new line of 3 ⁋

Linda Leslie notes: Although I don't have the exact time that I wrote this dance, it must predate the first date I called it: 10/22/93 for the Appalachian Mountain Club, Joy Street, Boston. Especially useful for one night stands! Any combination of three. All dancers CAN do this dance, and it really mixes up the dancers. Great for weddings, etc. For these type evenings, I don't talk about #1 or #2 lines of three, or progression: rather I describe "home position". Once we have walked through the dance once, I then point out the couples who have come out at the top and/or bottom, asking them to wait out one time through the dance, turn around, and that this is when "home" changes. Works like a charm.....and the dancers are very happy finding new opposites for each cycle.

Original at http://www.lindalesliecaller.website/very-easy-dances.html

Longways sets /small circles

Galopede

by: Chestnut

introduces moves: turn alone, custom

formation: improper or proper

A1 8
long lines forward & back
4
pass through across the set
4
turn alone
A2 8
long lines forward & back
4
pass through across the set
4
turn alone
B1 8
partners do si do once
8
partners swing
B2 16
top couple sashay to bottom of set - others move up ⁋

If you finish dancing before the music is done, let each couple in turn just sashay down until the music is ready to end.

Riverside Jig

by: Linlithgow Ceilidh

introduces moves: star, custom

formation: Becket (no matter)

A1 8
long lines forward & back
8
long lines forward & back
A2 8
star right 4 places
8
star left 4 places
B1 8
neighbors do si do once
8
partners do si do once
B2 16
top 2 couples form line of 4, dance to the bottom over everyone's heads ⁋


____0_________X___
^___0__^__^__X__^_
|___0___|___|__X__|_
0__ 0__X__0__X__X_

Country Bumpkin

by: Michael Barraclough

Country Bumpkin by Michael Barraclough

introduces moves: custom

formation: longways sets, up to 6 couples

A1 8
long lines forward & back
8
one line makes arches. All pass through to cross the set. Face the top couple.
A2 8
top couple sashay down
8
top couple sashay back up
B1 16
Horseshoe Chain: Starting with the top couple pulling by right, ending with the top couple at the bottom. ++
B2 8
top couple makes an arch, everyone else take your partner up through the arch ⁋
8
partners swing

++ Horseshoe Chain: "Top couple face each other, everyone else faces up towards the band/top couple. First, explain where people will be going: they will move up their own line, cross with their partner at the top of the set and then move down the other side. Then, explain how they get there: the top couple start off the move by joining right hands and then move past each other. They let go and stick out their left hands to join with the next person they meet. Everyone joins in the chain when someone joins hands with them. Once you’re in the chain, you keep joining right and left hands with people and cross over to the other side when you get to the top."
https://lisaheywood.net/dance-cards/

Four Around Four

by: unknown

Four Around Four by unknown

This dance is not published.

Houlton Exchange

by: Lisa Heywood

Houlton Exchange by Lisa Heywood

This dance is not published.

Contras

Jefferson And Liberty

by: Chestnut

introduces moves: down the hall, up the hall, arch & dive

formation: proper

A1 8
circle left 4 places
8
circle right 4 places
A2 8
star right 4 places
8
star left 4 places
B1 8
ones down the outsides and turn alone
8
ones up the outsides and end in long lines, ones in the center, facing down the hall
B2 4
down the hall
4
ones arch twos dive ⁋
8
up the hall 2x2 with the twos leading, then ones turn around to face the next

G Campbell Kaynor notes: For a simple proper dance I do one called Jefferson and Liberty to the tune of the same name (Thos Jefferson's campaign song, a.k.a the Gobby O, an American Irish Jig)

It doesn't matter if people get on the wrong side of the set so I often start the night with this if there are lots of newcomers

The Carousel

by: Tom Hinds

introduces moves: hey

formation: improper

A1 8
long lines forward & back ⁋
8
ladles allemande left 1½
A2 16
partners start a full hey - rights on ends, lefts in center
B1 16
partners balance & swing
B2 8
circle left 3 places
8
neighbors swing

Intergenerational Reel

by: Bob Dalsemer

introduces moves: custom

formation: improper

Can be called without any role distinctions

A1 8
circle left 4 places
8
circle right 4 places
A2 4
ones arch twos dive
4
twos seperate, cast home
8
twos swing
B1 8
neighbors do si do once
8
neighbors swing
B2 8
long lines forward & back
8
ones swing ⁋

The Slinky Walk variation

by: Moose Flores, Chris Page

introduces moves: slide along set, chain, custom

formation: Becket

  • Designate ones and twos, then have each set turn 1 quarter to the left for Becket. Then verify that all the ones are on the same side. Ones progress leftward & down the hall.
  • It may help to walk through a colonnade once without arches, to demonstrate the paths, then add the ones' arch (left to left!)
  • Give the twos a chance to practice arching the colonnade during the walkthrough.
A1 2
slide left along set ⁋
6
circle left 3 places
8
neighbors swing
A2 8
long lines forward & back
8
ladles chain
B1 16
left colonnade - "ones arch, colonnade!" +
B2 16
partners balance & swing
  • Left Colonnade: ones join left hands to make an arch and hold that arch for the entire figure. Ladles trade positions by left-shoulder pass through with ladle two going under the arch (and the arch moves!). Gentlespoons trade by left shoulders with gentlespoon two going under the arch. Ladles trade back by left shoulders; gentlespoons trade back by left shoulders. Each trade has 4 beats of music, so there's no need to rush.

Variation by Seth Tepfer

Salmonella Evening

by: Steve Zakon-Anderson

introduces moves: petronella, balance

formation: improper

A1 8
neighbors allemande right 1¾
8
gentlespoons allemande left 1½
A2 16
partners balance & swing
B1 8
balance & petronella
8
balance & petronella
B2 8
balance & petronella
4
balance the ring
2
pass through ⁋

Qwill & Paper

by: Moose Flores

formation: improper

Designate ones and twos.
The dance begins in lines of four, with the ones in the center.

A1 8
down the hall and turn as a couple
8
up the hall and turn alone facing the center
A2 16
twos start a full hey - rights in center, lefts on ends
B1 16
twos meltdown swing, end facing up, then separate to the sides
B2 16
ones meltdown swing, end facing down to pick up next neighbors ⁋

For Qwill, on their birthday.

Moose Tracks

by: Elizabeth Bloom Albert

formation: Becket

A2) Promenade goes around the oval, turn as a couple. Then promenade to return to where you started, but do not turn.

A1 2
slide left along set ⁋
6
circle left 3 places
8
neighbors swing, end facing CCW (gentlespoon's left shoulder toward the center)
A2 8
neighbors promenade along the set on the right, turn as a couple
8
neighbors promenade along the set on the left, returning to your partner, do not turn
B1 8
partners do si do ¾, as couples
8
partners do si do once
B2 16
partners balance & swing

A2) while promenading, hand holds are not so important.

B1) The "as couples 3/4 do si do" begins by sliding back to back with the other couple, and ends face to face with your partner.