In Case Of Bus

Bob Isaacs notes: Tony Parkes of Massachusetts has long been one of America’s best callers of contras and squares, and this glossary dance is a fine way to start an evening.

Bob Fab notes: While it does not have waves at the sides, it has them in the middle so you can use it when the hall is too short for everyone to be in the same waves.

It is an excellent dance for incorporating a large group of beginners, because you hardly ever are without someone in your hand, and the storyline is nice.

http://chrispagecontra.awardspace.us/dances/index.htm#accretion-reel

[1] What ring? The circle at the end of B2. The first time through the dance, skip this part, and begin straight with the individual scatter promenade. (John Sweeney came up with a cool alternate beginning, with everyone in one big circle, before breaking it up into individual pieces. If so, you definitely also want the big circle for the final time through.)
David Millstone writes about a nice modification of this for ONS groups: "Chris's dance calls for folks to balance in and out, and even though I demonstrated that to a group, their inclination was to go into the center in four counts with a whoop! and their arms rising up. Who am I to fight the natural tendency of the dancers? I suspect that this feels more satisfying, and it still gives them 12 beats to say goodbye to their circle and to walk alone to find a new partner."
[2] When I'm calling for ONS (one-night-stand) groups, I'll use "say goodbye" here. Then when they gyre later on, it's "say hello, and go around them, looking at them."
[3] Those allergic to gyres may wish to substitute a do-si-do, or skip it altogether and go straight to the swing. For an ONS group, substitute the swing with a two-allemande, elbow swing, or "whatever you think a swing should be."
[4] For more advanced groups, the gypsy can be with more than one other person. And the swing can be a basket swing.
[5] Last time through the dance, I like to have everyone promenade in one giant circle. Ditto for the final circles.
[6] Here each couple needs to find a few other couples to circle with. Lone couples could always two-allemande each other. James Hutson came up with a nice term for these variable-sized circles -- blobs.

The dance I consider my best. Usable both for non-dancing crowds, and with regular contra groups.

I wrote it after attending a contra dance with a number of beginners that kept breaking down over and over and over. On the way back, I thought what would have worked (a dance that intentionally broke down each time), and came up with a dance that I kept refining and simplifying down to this. It was partly also inspired by Ted Sannella's "Ted's Solo Mixer" and the scatter mixer "Set a' Crochet."

The dance's name came from ideas of planetary system formation, where larger and larger chunks of matter spiral inwards from gravity, accreting to form planetisemals, and then planets. The analogy goes bad where everybody separates every thirty seconds, but you could just consider that a periodic supernova event.

After having danced this, the A1/A2 feels sort of like the rush of looking for a partner, though here the commitment's only for 20 seconds. Kind of reminiscent of the cabeceo of tango.

Videos: (#1) (#2)

Linda Leslie notes: Although I don't have the exact time that I wrote this dance, it must predate the first date I called it: 10/22/93 for the Appalachian Mountain Club, Joy Street, Boston. Especially useful for one night stands! Any combination of three. All dancers CAN do this dance, and it really mixes up the dancers. Great for weddings, etc. For these type evenings, I don't talk about #1 or #2 lines of three, or progression: rather I describe "home position". Once we have walked through the dance once, I then point out the couples who have come out at the top and/or bottom, asking them to wait out one time through the dance, turn around, and that this is when "home" changes. Works like a charm.....and the dancers are very happy finding new opposites for each cycle.

Original at http://www.lindalesliecaller.website/very-easy-dances.html

/+ take hand with partner and do si do your neighbors as couples
/++Var: Partner balance & swing or partner do si do and 2 hand turn

Written for the wedding of Susan and Richard.

Original at http://www.lindalesliecaller.website/very-easy-dances.html

original at http://www.lindalesliecaller.website/very-easy-dances.html

Chris's notes:

"Written at the A-1 Diner in Gardiner, ME October 24th, 2008. Called for the first time that same evening at the North Whitefield contra dance. I was looking for a good dance to go either before the break or at the end of the evening. The dance is simple enough for the dancers and lets the band rock with an energetic tune set. Plus it ends with a partner swing without any changes from the caller. Call it in duple improper formation starting with the A2 for a more standard experience."

If you finish dancing before the music is done, let each couple in turn just sashay down until the music is ready to end.

Via Alan Winston, as I wanted a dance featuring rollaways, but without choreography inaccessible to a room full of first-time dancers.

Alan notes: you might get to your goal with this dance which barely has choreography (La Guaracha, from "Companion to the Ballroom" 1827, here from the Community Dances Manuals):

That A1 is balance and roll away (with gentlespoon not half-sashaying); four times gets everybody home.

For a barn dance where you can't rely on everybody being able to do a traveling waltz, you can easily adapt this in multiple ways;

first off, sub a promenade for the waltz, or sub a circle left and promenade home.

second, you can just make it duple meter if you prefer, and then make it balance and swing and promenade.

Third, you can change it to be roll away with a half sashay, and it's more important to reach your partner than to get home on the rollaways; the promenade takes care of that.

Fourth, change the figure to
1st time: all balance, ladles roll left to right in front of gentlespoons (start crossing neighbor) 4x
2nd time: all balance, gentlespoons roll left to right in front of ladles
(start partner)
(For ONS you might be fine just repeating those two times, but if you're a little ambitious ... 3rd time: all balance, roll left to right 2x, / all balance, gentlespoons roll left to right 2x, meet partner on other side ...

Anyway, it's barely choreography but it gives you roll away practice in square formation without having to do heads or sides.

A variation on the traditional Jefferson And Liberty. Coreographer's notes here: http://www.childgrove.org/index.php/about-dances/dance-writers/bob-green-dances